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HIDE & SEEK WITH CLYDE & MONIQUE

CLYDE IN PLAIN SIGHT

From the I Can Read! Comics series

An irresistible playdate.

A busy day of exploration for two friends—and readers.

After arriving at Clyde’s aunt’s house, Monique wonders where Clyde is. He pops out and suggests that they play hide-and-seek in his aunt’s vast backyard. Monique volunteers to seek, while Clyde is confident in his hiding abilities. The outdoor pastime is a festively furtive affair, with Monique reacting to every investigated corner: The child sneezes at the flowers, exclaims over the warmth of the greenhouse, and recoils in disgust at the basement cobwebs. The yard is filled with vocal animals, too, from a mewing cat to clucking chickens and quacking ducks. Annable slyly plays with perspective, from an overhead shot of Monique gazing into the chicken coop to lovely, panoramic views of the garden. He employs soft, fuzzy linework in keeping with the upbeat tone. The mischievous masterstroke, however, is how Clyde is hidden on nearly every page during the game. Looking for him is truly a lesson in observation and will get readers in the habit of paying close attention to the artwork in graphic novels; this is a tale to build visual literacy and set readers on the path to becoming longtime comics fans. Both kiddos are good sports about how the game concludes, and it all wraps up with a snack and a rematch. Monique is light-skinned; Clyde is tan-skinned.

An irresistible playdate. (Graphic fiction. 4-8)

Pub Date: June 24, 2025

ISBN: 9780063414143

Page Count: 32

Publisher: HarperAlley

Review Posted Online: yesterday

Kirkus Reviews Issue: April 1, 2025

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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LITTLE MELBA AND HER BIG TROMBONE

Readers will agree that “Melba Doretta Liston was something special.”

Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.

Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.

Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)

Pub Date: July 1, 2014

ISBN: 978-1-60060-898-8

Page Count: 40

Publisher: Lee & Low Books

Review Posted Online: June 3, 2014

Kirkus Reviews Issue: June 15, 2014

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