Next book

WHAT SOUND IS MORNING?

Children will raise a loud cheer for this morning story.

Each day begins with riotous noise. Listen!

As sunrise’s gentle rays set the landscape ablaze, a new day is ushered in with a harmonious aural feast. Cue the ante-meridiem orchestra for the melodies of birdsong, yawning dogs, buzzing alarm clocks, clicking light switches, gurgling babies, whistling wind, crowing roosters, the cacophony of zooming traffic, and much more. This sweet, simple story will awaken young listeners’ imaginations to a world of early–a.m. wonders. The economic prose, occasionally rendered in rhyme and near rhyme, flows gently and well and will help kids happily recognize what goes on before and after they awaken. The book makes a fine springboard into laptime, classroom, and library-programming activities, as youngsters can be challenged to identify and/or illustrate morning noisemakers they’re familiar with in their homes and neighborhoods. Bold illustrations burst from the pages and are filled with eye-popping pinks, blues, yellows, greens, reds, purples, and other hues; pre-dawn dark colors lighten and dissipate as the day proceeds. People’s skin tones are primarily nonrealistic, though one woman is shown with dark-brown skin. A wonderful image accompanying the charming turn of phrase “Today is a melody still to be written, / today is a tune no one’s heard before” depicts a five-lined “staff” of electric wires with birds resembling musical notes perched upon them.

Children will raise a loud cheer for this morning story. (Picture book. 3-6)

Pub Date: May 12, 2020

ISBN: 978-1-4521-7993-3

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

Next book

DIGGERSAURS

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...

Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.

The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)

Pub Date: April 2, 2019

ISBN: 978-1-9848-4779-9

Page Count: 32

Publisher: Random House

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

Next book

YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

Close Quickview