THE UNFINISHED LAND

In this Elizabethan historical fantasy, a young apprentice fisherman finds himself pushed north by strange currents to a ring of magic islands.

After his uncle’s fishing boat is commandeered by Queen Elizabeth to help the English fleet defend the island against King Philip's Spanish Armada, Reynard Shotwood finds himself the sole survivor on the floating ruins of his uncle’s boat. Close to death after having spent days adrift at sea, he's pulled from the water by the crew of a Spanish war ship, itself severely damaged. Lost and in desperate need of food, the crew members are powerless to do anything as a current pushes them inexplicably north toward a ring of seven islands. Once on land, the men find themselves assailed during the night by vampiric creatures that consume time from their lives. Attempting to stay alive in a land of mythical creatures, Reynard discovers his arrival heralds great change for the islands’ inhabitants. The premise—a boy fatefully finding a mysterious land and beginning a magic-filled journey of self-discovery—has an undeniable hook. Additionally, Bear’s exploration of various mythologies is a strength, and the fusion of folklore and fantasy creates a dreamlike sense of wonder in many sequences. Sadly, though, the story has no real power or sense of immediacy. Reynard—who has no idea who or what he is—is reluctantly pulled along through the story, which is lacking in clarity and focus. This narrative murkiness, coupled with an overall lack of intensity, makes for a flat reading experience. Persistent readers, however, will be rewarded with an action-packed conclusion filled with bombshell revelations.

Well conceived but deeply flawed.