Budding cooks, dedicated eaters, and culinary historians will relish the presentation.
A tasty overview of a popular dish.
In this history of the finger or knife-and-fork food, a bespectacled rat takes readers back in time to ancient Greece and Persia (where some say the food may have originated) and then forward to 19th-century Naples and a chef named Raffaele Esposito, who “was famous for making the best pizza in Naples.” Pizzoli notes that King Umberto and Queen Margherita heard about the pizza on a visit to Naples and that, according to lore, the queen requested it—an image of Esposito riding a horse with pizza boxes tied to it offers a whimsical depiction of what Pizzoli dubs “the first pizza delivery.” Italian immigration to the United States in the late 19th and early 20th centuries and the return of U.S. soldiers from Italy after World War II contributed to the widespread demand for the pies. Not content with the typical recipes, chefs all over the world have added toppings ranging from peas (Brazil) to fish (Russia) to coconuts (Costa Rica) to mayo jaga (Japan). The simple recipe for toaster oven–style minipizzas at the end of the book is child-friendly, starting with English muffins and adding mozzarella and tomatoes. Flavoring the concise yet fun narrative is the deliciously inspired palette dominated by red, green, and white that evokes both the Italian flag and pizza itself. (This book was reviewed digitally.)
Budding cooks, dedicated eaters, and culinary historians will relish the presentation. (Informational picture book. 4-8)Pub Date: Aug. 9, 2022
ISBN: 978-0-425-29107-8
Page Count: 56
Publisher: Viking
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Pretty but substance-free—which is probably not how any of this book’s subjects would like to be remembered.
Inspired by Sen. Elizabeth Warren’s stand against the appointment of Sen. Jeff Sessions as U.S. attorney general—and titled for Sen. Mitch McConnell’s stifling of same—glancing introductions to 13 American women who “persisted.”
Among the figures relatively familiar to the audience are Harriet Tubman, Helen Keller, and Ruby Bridges; among the more obscure are union organizer Clara Lemlich, physician Virginia Apgar, and Olympian Florence Griffith Joyner. Sonia Sotomayor and Oprah Winfrey are two readers may already have some consciousness of. The women have clearly been carefully selected to represent American diversity, although there are significant gaps—there are no Asian-American women, for instance—and the extreme brevity of the coverage leads to reductivism and erasure: Osage dancer Maria Tallchief is identified only as “Native American,” and lesbian Sally Ride’s sexual orientation is elided completely. Clinton’s prose is almost bloodless, running to such uninspiring lines as, about Margaret Chase Smith, “she persisted in championing women’s rights and more opportunities for women in the military, standing up for free speech and supporting space exploration.” Boiger does her best to compensate, creating airy watercolors full of movement for each double-page spread. Quotations are incorporated into illustrations—although the absence of dates and context leaves them unmoored. That’s the overall feeling readers will get, as the uniformity of presentation and near-total lack of detail makes this overview so broad as to be ineffectual. The failure to provide any sources for further information should the book manage to pique readers’ interests simply exacerbates the problem.
Pretty but substance-free—which is probably not how any of this book’s subjects would like to be remembered. (Informational picture book. 4-8)Pub Date: May 30, 2017
ISBN: 978-1-5247-4172-3
Page Count: 32
Publisher: Philomel
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
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