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THE GRAPES OF MATH

MIND-STRETCHING MATH RIDDLES

This genuinely clever math book uses rhyming couplets and riddles, as well as visual cues to help the reader find new ways to group numbers for quick counting. It’s a return to number sets, with none of those boring parentheses and <>signs. Here the rhyme gives a clue to the new ways of grouping numbers. For example: “Mama mia, pizza pie, / How many mushrooms do you spy? / Please don’t count them, it’s too slow, / This hot pie was made to go! / Let me give you some advice, / Just do half and count it twice.” A quick look at the pizza, and the reader can see each slice has the same number of mushrooms. Count by threes for half the pie, and double it. Each rhyme is given a double-page spread. The extra-large, brightly colored images leap off the page but never distract from the author’s intent. Some riddles are very challenging, but the author provides all the solutions in the back. Once the reader has seen the answers, the strategy is obvious and can be applied to other situations. Great fun for math enthusiasts and creative thinkers, this might also teach adults some new tricks. A winning addition. (Nonfiction. 7-10)

Pub Date: Feb. 1, 2001

ISBN: 0-439-21033-X

Page Count: 40

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2000

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INCREDIBLE JOBS YOU'VE (PROBABLY) NEVER HEARD OF

Chicken sexer? Breath odor evaluator? Cryptozoologist? Island caretaker? The choices dazzle! (Informational picture book....

From funeral clown to cheese sculptor, a tally of atypical trades.

This free-wheeling survey, framed as a visit to “The Great Hall of Jobs,” is designed to shake readers loose from simplistic notions of the world of work. Labarre opens with a generic sculpture gallery of, as she puts it, “The Classics”—doctor, dancer, farmer, athlete, chef, and the like—but quickly moves on, arranging busy cartoon figures by the dozen in kaleidoscopic arrays, with pithy captions describing each occupation. As changes of pace she also tucks in occasional challenges to match select workers (Las Vegas wedding minister, “ethical” hacker, motion-capture actor) with their distinctive tools or outfits. The actual chances of becoming, say, the queen’s warden of the swans or a professional mattress jumper, not to mention the nitty-gritty of physical or academic qualifications, income levels, and career paths, are left largely unspecified…but along with noting that new jobs are being invented all the time (as, in the illustration, museum workers wheel in a “vlogger” statue), the author closes with the perennial insight that it’s essential to love what you do and the millennial one that there’s nothing wrong with repeatedly switching horses midstream. The many adult figures and the gaggle of children (one in a wheelchair) visiting the “Hall” are diverse of feature, sex, and skin color.

Chicken sexer? Breath odor evaluator? Cryptozoologist? Island caretaker? The choices dazzle! (Informational picture book. 7-9)

Pub Date: April 14, 2020

ISBN: 978-1-5362-1219-8

Page Count: 48

Publisher: Nosy Crow

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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THE BOY WHO BIT PICASSO

Though certainly not a systematic overview of Picasso’s life and career, this intimate, child’s-eye view serves up a winning...

“Picasso was great fun to play with. He liked to romp around on the floor and have pretend bullfights. His tweed jacket was nice and scratchy. He smelled good too. He smelled of cologne and French tobacco.”

To a set of seldom-seen photos taken by his mother, Lee Miller, interspersed with both pictures of roughly hewn toys and playful art created by Picasso and a page of drawings of the titular incident by modern children, Penrose adds appreciative comments and authentically sketchy childhood memories of a renowned family friend. Taken in France and England, the photos offer glimpses of the artist in his studio or posing with young Antony, along with shots of his own children, other friends such as George Braque and artwork done in a characteristic array of media and found materials. Images of colorful works from the author’s personal collection are added as well; the author's little Noah's Ark set appears juxtaposed to a tiny Picasso piece called Mrs. Noah, for instance. The text itself adds playful notes with variations in size and weight, along with occasional wavy lines and is set on solid backgrounds of pale blues, yellows, lilacs and other pastel hues.

Though certainly not a systematic overview of Picasso’s life and career, this intimate, child’s-eye view serves up a winning glimpse of the artist’s personality and unparalleled creative breadth.   (glossary, thumbnail bios) (Memoir. 8-10)

Pub Date: May 1, 2011

ISBN: 978-0-8109-9728-8

Page Count: 48

Publisher: Abrams

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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