by Grégoire Solotareff ; illustrated by Grégoire Solotareff ; translated by Claudine Mersereau ‧ RELEASE DATE: Sept. 1, 2017
This attempt to convey big ideas enjoys little success.
Size matters.
At least it does to the lion, king of the animals, who begrudgingly welcomes a little orphaned elephant seeking shelter at his palace. The pair becomes inseparable, enjoying stories and games. Years pass; the elephant grows, as small creatures do. The lion, never large anyway, has stopped growing, as is the wont of adults. The relationship sours; the king demands reassurance that, despite the size differential, he is dominant. The elephant, as big in character as in stature and girth, repeatedly allows that the king is big and he is small. Appeasement doesn’t work, and the king banishes the elephant. Much later the elephant encounters the now-wizened, forlorn lion, who concedes he was overthrown for arrogance and pride. The elephant staunchly proclaims the lion is still royal and big, and they return to the palace. This odd French fable, a Canadian import, seems aimed to convey messages about the folly of false pride and the beauty of true friendship. Are readers also warned about parent-child relationships? If so, how—should kids not grow, or adults will abandon them? The narrative’s lack of clarity, abetted by uneven translation (occasional mixing of tenses), is softened somewhat by vivid if static oil paintings. Readers will appreciate the elephant’s bemused expressiveness but may find the depiction of the lion with human face and extremities creepy.
This attempt to convey big ideas enjoys little success. (Picture book. 3-6)Pub Date: Sept. 1, 2017
ISBN: 978-0-2281-0000-3
Page Count: 32
Publisher: Firefly
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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by Grégoire Solotareff ; illustrated by Grégoire Solotareff ; translated by Daniel Hahn
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by Grégoire Solotareff ; illustrated by Grégoire Solotareff ; translated by Claudine Mersereau
by William Boniface ; illustrated by Julien Chung ‧ RELEASE DATE: Oct. 1, 2024
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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by Erin Guendelsberger ; illustrated by Elizaveta Tretyakova ‧ RELEASE DATE: Oct. 1, 2020
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Erin Guendelsberger ; illustrated by Jennifer Zivoin
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by Erin Guendelsberger ; illustrated by Annelouise Mahoney
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by Erin Guendelsberger ; illustrated by Suzie Mason
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