A splendid revisitation of folklore that takes us to and from familiar cultural touchstones into realms to make Freud...
A delightful, mystical, mythical confection by zeitgeist whisperer Maguire (After Alice, 2015, etc.), who likes nothing more than to work at the dark edges of a fairy tale.
As evidenced especially in Wicked and its sequels, Maguire has a sharp appreciation for what struck Jacob and Wilhelm Grimm way back when: especially if they’re German, the stories we tell our children are marvels of mayhem, compressed slices of violence and bleakness gussied up with an occasional shiny poisoned apple. In them, death is always present. So it is with this latest foray, in which Maguire locates a perhaps unwilling hero in a young foundling, Dirk Drosselmeier, who, having courted death himself, proves to be inept enough with an ax at his adopted woodcutter father’s house to be packed off into the world—narrowly avoiding death, it seems, at the hands of the old man and his wicked-witchish wife. “He’s witnessed enough to be scared already, I can’t make it worse,” she cackles, and off he goes. But the world has plenty of terrors of its own to offer, including the fact that everyone he loves will die or otherwise leave him. He learns to live on his own wits and resources; “I’m more like a spider,” he says, “I cling with strings and hooks only to every passing day.” Improbably, in the face of all that sorrow and odd encounters with the likes of the quack Doctor Mesmer, he makes good; he wasn’t so handy with a hatchet, but with smaller blades he carves out a formidable nutcracker that evolves, in his hands, “from it to he.” Shades of Pinocchio! It’s at this juncture that, as if a mist lifting, the darkness of the story brightens and, magically, the familiar story that we know from Tchaikovsky’s Christmas classic, Klara and the King of Mice and all, resolves with brilliant clarity. It’s a fine bit of sorcery on Maguire’s part, but of course, as all things must, it ends darkly.
A splendid revisitation of folklore that takes us to and from familiar cultural touchstones into realms to make Freud blanch. Wonderful.Pub Date: Oct. 31, 2017
ISBN: 978-0-06-268438-7
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: Aug. 13, 2017
Kirkus Reviews Issue: Aug. 15, 2017
PROFILES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
