It must have been fun to throw all these semi-compatible elements together, but it’s not nearly as enjoyable for the...
A potent ghost story is buried under several layers of complication and explication in this highly imaginative, unfortunately labored tale from the popular author of Wicked (1995) and Confessions of an Ugly Stepsister (1999).
The fantasy elements that predominate in Maguire’s work (which also includes numerous juveniles) are strongly present in the story of Winifred Rudge, a successful writer of both books for children and “a trashy self-help succès de scandale,” The Dark Side of the Zodiac, whose current work in progress is interrupted (and influenced) by intrusive paranormal phenomena. While mulling over the fictional idea of a woman writer haunted by the ghost of Jack the Ripper, Winifred travels from her home in a Boston suburb to the London “rowhouse” owned formerly by her family and currently by her “stepcousin” and soulmate John Comestor, who has unaccountably disappeared (surely he was expecting her arrival?), leaving behind a flat occupied by two clueless workmen and (it seems) a particularly rowdy poltergeist. Perhaps this visitant is the aforementioned Ripper, or one of his female victims—or indeed the ghost of Winifred’s guilty ancestor Ozias Rudge (“the prototype for Charles Dickens’s Ebeneezer Scrooge,” as rumor has it). Winifred investigates all these possibilities, enlisting the aid of Comestor’s standoffish former mistress, a visiting American academic who specializes in medieval supernaturalism, a harried foreign-born young widow with occasional psychic powers, and a dotty downstairs tenant, cat-loving Mrs. Maddingly, who’s a virtual dead ringer for Dickens’s immortal, verbally dyslexic slattern Sairy Gamp. Things go bump in the night, the repressed details of Winifred’s past dovetail with her imaginative creations, and Maguire wraps it up with a genuinely creepy climactic ghostly confrontation.
It must have been fun to throw all these semi-compatible elements together, but it’s not nearly as enjoyable for the overburdened reader. Maguire’s free-ranging, high-energy imagination is a wonder to behold—but Lost is likely to lose many readers along the way.Pub Date: Oct. 1, 2001
ISBN: 0-06-039382-3
Page Count: 352
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2001
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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