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THE NEXT QUEEN OF HEAVEN

Certainly not everyone’s cup of tea, but an unfamiliar treat for those who like their comedy laced with a touch of satire.

A fitfully funny and adventurous experiment from the author of Wicked (1995).

This strangely compelling religious farce originated much differently than the fantasy novels that characterize the work of Boston-based novelist Maguire (A Lion Among Men, 2008, etc.). This peculiar novel was originally born as a limited-edition paperback offered by Concord Free Press, the publisher that gives books away for free. Now Harper has given a second lease on life to this familial dramedy about a rebellious daughter, her devoutly religious mother and the bump on the head that turns their small town into a bit of a circus. Maguire’s main prism on small-town life in Thebes, N.Y., is Tabitha Scales, a teenaged girl with a reputation as the town slut. In fact, she appears so regularly in the town jail that the police have let her decorate her own cell. “Thebes was so lame it might as well be amputated,” she muses. Her mother is the long-suffering Leontina Scales, “a middle-aged pillar of the Radical Radiant Pentecostals (Also Republican, with some standards).” But things take a turn when a statue of Our Lady with a Chip on Her Shoulder falls over, bashing Leontina upside the skull and causing her to erupt in foul-mouthed tongues, espousing things like “Am of God, who takes away the sins of the world. So you: shut up.” It seems that everyone in town is concerned with God’s plans. Meanwhile, young, gay choir director Jeremy Carr is dealing with his own struggles, which include mourning a broken love affair with Willem Handelaers. Meanwhile, the Radical Radiants threaten war with the local Catholic Church.

Certainly not everyone’s cup of tea, but an unfamiliar treat for those who like their comedy laced with a touch of satire.

Pub Date: Oct. 5, 2010

ISBN: 978-0-06-199779-2

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 30, 2010

Kirkus Reviews Issue: Sept. 15, 2010

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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