Is a neat ending possible? Not likely. There’s even room in this deliciously fun novel for a trap-door sequel. Stay tuned.
Maguire, reimaginer of Oz, completes his series The Wicked Years, which bowed in with the exuberantly zeitgeisty Wicked (1995), with this pensive but action-filled capstone.
The truest gauge of whether a fantasy series is any good, apart from the ordinary tests of writing and storytelling, is whether the world the writer imagines is complete—and whether it’s interesting enough for a reader to be bothered to go there. In the made-up–world department, Maguire is a signal success, and a captivating storyteller to boot. This concluding volume finds Dorothy Gale back in Kansas—for a time, anyway, for 16-year-old Dorothy isn’t so keen on following Aunt Em’s dictum, “We aren’t going to live forever, and you must learn to manage in the real world.” Better flying monkeys than Topeka, one supposes. Up in Oz (or down, or sideways; the directions to the place are provisional, depending on which path the twister takes), the lines of genealogy and elective affinity alike are beginning to tauten as it’s revealed just whose blood the Emperor shares. Some of his kin, however, are hanging out with Glinda and her kind. Even after fate has made done with the unpleasant witchy-poos of east and west, things aren’t all skittles and beer up in the Emerald City. Indeed, as one short fellow remarks, “The Munchkinlanders discovered that liberation from sniffy Nessarose didn’t provoke them into wanting a return to domination by the EC. Can you blame them?” Can you indeed? While the Lollipop Guild is busy transforming itself into a cadre of freedom fighters, the rest of the Emerald City girds up for war within and war without, for there’s nothing that the Emperor likes more than a good dust-up. All is chaos, swerve and swirl: the once cowardly lion now has moments where he sounds like Sean Connery, people fire up cigarettes and mount grim battles of resistance and Maguire pays subtle homage to Tolkien and Rowling and even Frank Baum while having a grand old time in the fantastically complicated world he has crafted.
Is a neat ending possible? Not likely. There’s even room in this deliciously fun novel for a trap-door sequel. Stay tuned.Pub Date: Nov. 1, 2011
ISBN: 978-0-06-054894-0
Page Count: 576
Publisher: Morrow/HarperCollins
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Nov. 1, 2011
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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