An exhilarating exploration of the cosmos that is both poetic and cutting-edge.
An award-winning particle physicist delivers an appealing explanation of the origins and evolution of the universe.
It’s a mystery that has plagued great thinkers for centuries: How did the universe come to be? Many theories, scientific and otherwise, have been put forth, but the true story of the universe’s first moments is still emerging. Tonelli, who played a role in the discovery of the Higgs boson, argues that new discoveries in physics are able to provide the clearest picture yet of how the universe emerged and where it’s going. From his descriptions of the Big Bang to human creativity and storytelling, the author’s writing is lush and inviting, offering countless points of entry even for those readers unfamiliar with fundamental concepts of physics. “Our lives,” writes Tonelli, “are conditioned by the story of the origins of the universe told by science: it profoundly shifts the foundations on which we will build new social arrangements, opening up vistas full of opportunities and risks, and shaping the future for coming generations.” In a concise yet action-packed narrative, the author organizes his survey of the cosmic beginnings into seven days, mimicking the biblical timeline of creation—from “Day One: An Irresistible Breath Produces the First Wonder” to “Day Seven: A Swarming of Complex Forms.” With clarity and just the right amount of technical language, Tonelli tackles complex subjects such as supersymmetry, dark matter, and the births of stars and planets. He also masterfully conveys the scientific and epistemic profundity of “how we look at the world, and therefore our place within it.” Entangled within his pursuit of scientific truth, the author’s overarching outlook is one of awe. The magnificent ideas he presents allow us “to understand our deepest roots, and to find ideas with which to face the future.” The book was a bestseller in Italy in 2019.
An exhilarating exploration of the cosmos that is both poetic and cutting-edge.Pub Date: April 13, 2021
ISBN: 978-0-374-60048-8
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 6, 2021
Kirkus Reviews Issue: Feb. 1, 2021
A straightforward, carefully detailed presentation of how ``fruit comes from flowers,'' from winter's snow-covered buds through pollination and growth to ripening and harvest. Like the text, the illustrations are admirably clear and attractive, including the larger-than-life depiction of the parts of the flower at different stages. An excellent contribution to the solidly useful ``Let's-Read-and-Find-Out-Science'' series. (Nonfiction/Picture book. 4-9)
Pub Date: Jan. 30, 1992
ISBN: 0-06-020055-3
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1991
Yes: it's high time for a de-romanticized, de-mythified, close-up retelling of the U.S. Space Program's launching—the inside story of those first seven astronauts.
But no: jazzy, jivey, exclamation-pointed, italicized Tom Wolfe "Mr. Overkill" hasn't really got the fight stuff for the job. Admittedly, he covers all the ground. He begins with the competitive, macho world of test pilots from which the astronauts came (thus being grossly overqualified to just sit in a controlled capsule); he follows the choosing of the Seven, the preparations for space flight, the flights themselves, the feelings of the wives; and he presents the breathless press coverage, the sudden celebrity, the glorification. He even throws in some of the technology. But instead of replacing the heroic standard version with the ring of truth, Wolfe merely offers an alternative myth: a surreal, satiric, often cartoony Wolfe-arama that, especially since there isn't a bit of documentation along the way, has one constantly wondering if anything really happened the way Wolfe tells it. His astronauts (referred to as "the brethren" or "The True Brothers") are obsessed with having the "right stuff" that certain blend of guts and smarts that spells pilot success. The Press is a ravenous fool, always referred to as "the eternal Victorian Gent": when Walter Cronkite's voice breaks while reporting a possible astronaut death, "There was the Press the Genteel Gent, coming up with the appropriate emotion. . . live. . . with no prompting whatsoever!" And, most off-puttingly, Wolfe presumes to enter the minds of one and all: he's with near-drowing Gus Grissom ("Cox. . . That face up there!—it's Cox. . . Cox knew how to get people out of here! . . . Cox! . . ."); he's with Betty Grissom angry about not staying at Holiday Inn ("Now. . . they truly owed her"); and, in a crude hatchet-job, he's with John Glenn furious at Al Shepard's being chosen for the first flight, pontificating to the others about their licentious behavior, or holding onto his self-image during his flight ("Oh, yes! I've been here before! And I am immune! I don't get into corners I can't get out of! . . . The Presbyterian Pilot was not about to foul up. His pipeline to dear Lord could not be clearer"). Certainly there's much here that Wolfe is quite right about, much that people will be interested in hearing: the P-R whitewash of Grissom's foul-up, the Life magazine excesses, the inter-astronaut tensions. And, for those who want to give Wolfe the benefit of the doubt throughout, there are emotional reconstructions that are juicily shrill.
But most readers outside the slick urban Wolfe orbit will find credibility fatally undermined by the self-indulgent digressions, the stylistic excesses, and the broadly satiric, anti-All-American stance; and, though The Right Stuff has enough energy, sass, and dirt to attract an audience, it mostly suggests that until Wolfe can put his subject first and his preening writing-persona second, he probably won't be a convincing chronicler of anything much weightier than radical chic.
Pub Date: Sept. 24, 1979
ISBN: 0312427565
Page Count: 370
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 13, 2011
Kirkus Reviews Issue: Sept. 1, 1979
BOOK TO SCREEN
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