An exile’s plainspoken testimonial, bookending Orwell’s Homage to Catalonia in the literature of political disappointment.
A geography of disillusionment as limned by the noted Cuban writer (Guilty of Dancing the Chachachá, 2001, etc.), once a stalwart of the Fidelista revolution.
The men and women who trudged out of the mountains and into Havana 60-odd years ago were a tough, committed lot. Their civilian successors were just as tough; even when behind the compound walls, writes Cabrera Infante, Cuba’s ambassador to Belgium carried a heavy pistol, while his first secretary “had already killed an exiled Cuban in Santo Domingo.” Stationed in Brussels as a cultural attaché in the mid-1960s, Cabrera Infante traveled to Barcelona to collect a literary award, his movements chronicled at the order of a one-time aristocrat who, now a Fidelista, “did no work at the embassy, who never worked at all, since he had no skills or knowledge of anything.” It was a silly inquiry, since, Cabrera Infante writes, the lives of every junior officer in the embassy were transparent, and all were true believers in the cause of Cuban communism. As time wore on, Cabrera Infante’s commitment to that cause withered, for one thing because a certain moralizing conservatism crept in, such that homosexuals were persecuted and an editor friend of his was removed from his post for having invited Allen Ginsberg to Cuba, who then “scandalized the leaders of the Revolution by crowing in public that he wanted to go to bed with Che Guevara!” When he returned to Cuba and found that children could no longer have cake at their birthday parties and that domestic scotch tasted “like disinfectant,” the bloom was most definitely off the red rose. Cabrera Infante’s tone is quiet and melancholic, especially when, comparing notes with other writers such as Alejo Carpentier, he reaches a profound conclusion: “Just because the Revolution took writers in (and over) did not mean that literature wasn’t a dangerous frivolity.”
An exile’s plainspoken testimonial, bookending Orwell’s Homage to Catalonia in the literature of political disappointment.Pub Date: Aug. 29, 2017
ISBN: 978-0-914671-79-4
Page Count: 384
Publisher: Archipelago
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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