A satisfying conclusion to an intelligent, utterly chilling horror trilogy.
The final book in director del Toro and thriller writer Hogan's (The Killing Moon, 2007, etc.) epic vampire trilogy.
Since the end of the previous book, the Master, an ancient being and source of a blood-borne parasitic infestation with vampire-like symptoms, has exerted near total control over the world. His vampire minions and a few human collaborators have set up concentration camps dedicated solely to harvesting blood for vampire consumption, while the rest of humanity scratches out a meager existence, watching re-runs on television and waiting in terror for their turn to be hauled to the camps. Hope for humanity is at a low ebb. Nuclear explosions have left the planet in a state of near-perpetual night. Abraham Setrakian, the old-world vampire hunter who has been trailing the Master for decades, is dead, and Dr. Ephraim Goodweather, the epidemiologist who first understood the nature of the new threat, now spends most of his time in a pill-induced haze, pining for his lost son, who, though still human, is under the Master's thrall. There are still pockets of resistance, though. Gangbanger turned fearless vampire hunter Augustin "Gus" Elizade has set up base in the now-unused Columbia University campus, and exterminator Vasiliy Fet is working to translate an ancient, silver-bound book that Setrakian seemed to think contained the knowledge necessary to destroy the Master for good. When Dr. Nora Martinez, Goodweather's former colleague and lover who is now attached to Fet, is taken to a blood camp, Goodweather, Fet and Elizalde, along with the mysterious half-vampire Mr. Quinlan, must come together to free her, and then to find a way to end the Master's reign once and for all. While one of the principal charms of the series so far has been its unique, near-plausible scientific treatment of vampirism, the third book introduces elements of the supernatural, which is somewhat disappointing. Still, the prose crackles, the plot barrels forward with increasing momentum and the authors' knack for thoughtful horror and striking imagery remains intact.
A satisfying conclusion to an intelligent, utterly chilling horror trilogy.Pub Date: Oct. 25, 2011
ISBN: 978-0-06-155826-9
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: Oct. 15, 2011
Kirkus Reviews Issue: Nov. 1, 2011
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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