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THE FLOUNDER

A whale of energy and ambition and playfulness and dullness and miscellany. A Grimm's fairytale—"The Fisherman's Wife"—inflated to bursting, the exploded pieces mixed in with such considerations as Freud's "What do women want?" and a "history of human nutrition." A football team of book, swarming everywhere. The narrator, so goes the central premise, has lived in every age, with a female at his side to cook for him and thus—with what she provides for his belly—she influences the course of civilization in one small section of Pomerania. As a Stone Age fisherman fishing on the banks of the Vistula, the narrator-Man—stands on the shore and has a flounder jump from the water into his arms; the fish begins to speak. If the fisherman spares him, the flounder will counsel men through the ages on how to break the thralldom they live in (in the Stone Age men are suckled by three-breasted women and kept totally passive). The flounder is spared, advice is regularly dispensed; but the men make a muck of it, turning initiative into aggressiveness, war, and pain. Distraught, the flounder waits until the 1970s, now jumps into a boat full of women's-libbers, and throws himself upon their mercy. They bring him up before a special Women's Tribunal for his crimes. Rabelaisian, political, historical, fantastical, fable-like: Grass lets his book be all of these. The stamina is exhilarating but a little daunting; though Ralph Manheim has done a medallion job of translation, the bulk and density can drown you. To Grass' credit, however, he's thrown himself totally into this novel (as he hasn't done in a while). Ambitious readers can plunge into this Hood-like phantasmagoria of the battle-of-the-sexes; all readers can stand on the shore and admire some of Grass' inventive ripples.

Pub Date: Nov. 2, 1978

ISBN: 0156319357

Page Count: -

Publisher: Harcourt Brace Jovanovich

Review Posted Online: Sept. 24, 2011

Kirkus Reviews Issue: Nov. 1, 1978

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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