Elegant language, endearing characters, and irresistible images will warm hearts and minds with each reading.
A piglet and her grandmother lead a cozy and cultured life together on a hilltop in Paris—but something is missing.
Alice enjoys reading, making lists, and organizing buttons on her own as well as baking and eating crème brûlée with her beloved guardian. Sometimes, however, she yearns for “someone her own size to talk to.” The bottle she pitches into the Seine is carried by an octopus, a sea gull, and the current across the ocean to François, a lonely lighthouse keeper’s son (a dog). So begins a wonderfully preposterous correspondence in which Gordon’s sly humor and understanding of child logic (very reminiscent of William Steig’s) shine forth. When François inquires as to Alice’s whereabouts, she replies, after some thought: “I am… / …over here. What are you doing over there?” The seascapes, city scenes, and interior views, rendered in cheery, warm watercolors and pencil, are enriched with clippings that appear to be from an antique French catalog; labeled furniture and kitchen items add texture and whimsy. When the protagonist’s grandmother dies and the little pig goes to live with kindly Miss Clément (an antelope), readers will witness Alice’s withdrawal and grief (and François’ confusion at the silence), until “the dark clouds slowly packed up their things and shuffled into the distance, and the sun sprung forth.” A lighthouse visit and the resumption of baking show it is possible to accommodate loss into living.
Elegant language, endearing characters, and irresistible images will warm hearts and minds with each reading. (Picture book. 4-7)Pub Date: July 7, 2020
ISBN: 978-0-525-55400-4
Page Count: 40
Publisher: Dial Books
Review Posted Online: March 24, 2020
Kirkus Reviews Issue: April 15, 2020
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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