Kids will enjoy meeting Mallko, but Gusti’s funny, affectionate portraits of father and son may resonate most with parents...
In a mixed-media account that won the BolognaRagazzi Award for Disability, Argentine illustrator Gusti (Half of an Elephant, 2006) relates how he learned to embrace his son’s Down syndrome.
When his second son, Mallko, was born with Down syndrome, Gusti confesses, “I DID NOT ACCEPT HIM.” Fortunately, he gradually realizes that Mallko is “great. The greatest.” And Mallko brims with orneriness—and ordinariness—as he pesters his parents, draws with his dad, and rocks out to the Red Hot Chili Peppers. In simple text and a collage of sketches, comics, photos, handwritten notes, and even a picture book within the book, Gusti candidly depicts the ups and downs of life with Mallko. Parents and siblings of disabled children will find a spectrum of emotions reflected in Gusti, and Gusti’s wife and older son show how family members can support one another. Despite the simple language, Gusti’s message of acceptance seems particularly, earnestly, addressed to parents. “Kids with Down syndrome are an endangered species,” his penultimate line declares, the words fraught with both his son’s preciousness and Down syndrome’s correlation with abortion. Closing images of two adults with Down syndrome kissing act as a powerful affirmation. Adults should be prepared for some children to ask, “Why?” Occasionally, the original Spanish text appears alongside its English translation, and Mallko’s marker drawings appear throughout. Gusti and his family present as white.
Kids will enjoy meeting Mallko, but Gusti’s funny, affectionate portraits of father and son may resonate most with parents and parents-to-be. (Graphic memoir. 9 & up)Pub Date: Nov. 6, 2018
ISBN: 978-1-59270-259-6
Page Count: 120
Publisher: Enchanted Lion Books
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
A sincere, genuine, and uplifting book that affirms the importance of being true to yourself.
Middle school drama hits hard in this coming-of-age graphic memoir.
Natural competitor Misty has faced off against the boys for years, always coming out on top, but now they’re moving on without her into the land of full-contact football. Never one to back away from a challenge, Misty resolves to join the team and convinces her best friend, Bree, to join her. While Misty pours herself into practicing, obviously uninterested Bree—who was motivated more by getting to be around boys than doing sports—drifts toward popular queen bee Ava, creating an uneasy dynamic. Feeling estranged from Bree, Misty, who typically doesn’t think much about her appearance, tries to navigate seventh grade—even experimenting with a more traditionally feminine gender expression—while also mastering her newfound talent for tackling and facing hostility from some boys on the team. Readers with uncommon interests will relate to the theme of being the odd one out. Social exclusion and cutting remarks can be traumatic, so it’s therapeutic to see Misty begin to embrace her differences instead of trying to fit in with frenemies who don’t value her. The illustrations are alive with color and rich emotional details, pairing perfectly with the heartfelt storytelling. The husband-and-wife duo’s combined efforts will appeal to fans of Raina Telgemeier and Shannon Hale. Main characters present as White; some background characters read as Black.
A sincere, genuine, and uplifting book that affirms the importance of being true to yourself. (Graphic memoir. 9-13)Pub Date: Sept. 27, 2022
ISBN: 978-0-06-306469-0
Page Count: 272
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
Humble, endearing and utterly easy to relate to; don’t miss this one.
The charismatic creator of the Eisner-nominated Amelia Rules! series recounts his beginnings as a cartoonist.
From the very first panel, Gownley’s graphic memoir is refreshingly different. He’s not the archetypal nerd, and he doesn’t retreat to draw due to feelings of loneliness or isolation. Gownley seems to be a smart kid and a talented athlete, and he has a loyal group of friends and a girlfriend. After he falls ill, first with chicken pox and then pneumonia, he falls behind in school and loses his head-of-the-class standing—a condition he is determined to reverse. A long-standing love of comics leads him to write his own, though his first attempt is shot down by his best friend, who suggests he should instead write a comic about their group. He does, and it’s an instant sensation. Gownley’s story is wonderful; his small-town life is so vividly evinced, it’s difficult to not get lost in it. While readers will certainly pick up on the nostalgia, it should be refreshing—if not completely alien—for younger readers to see teens interacting without texting, instead using phones with cords. Eagle-eyed readers will also be able to see the beginnings of his well-loved books about Amelia. He includes an author’s note that shouldn’t be overlooked—just be sure to keep the tissues handy.
Humble, endearing and utterly easy to relate to; don’t miss this one. (author’s note) (Graphic memoir. 10 & up)Pub Date: Feb. 25, 2014
ISBN: 978-0-545-45346-2
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: Nov. 12, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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