Kids will enjoy meeting Mallko, but Gusti’s funny, affectionate portraits of father and son may resonate most with parents...
In a mixed-media account that won the BolognaRagazzi Award for Disability, Argentine illustrator Gusti (Half of an Elephant, 2006) relates how he learned to embrace his son’s Down syndrome.
When his second son, Mallko, was born with Down syndrome, Gusti confesses, “I DID NOT ACCEPT HIM.” Fortunately, he gradually realizes that Mallko is “great. The greatest.” And Mallko brims with orneriness—and ordinariness—as he pesters his parents, draws with his dad, and rocks out to the Red Hot Chili Peppers. In simple text and a collage of sketches, comics, photos, handwritten notes, and even a picture book within the book, Gusti candidly depicts the ups and downs of life with Mallko. Parents and siblings of disabled children will find a spectrum of emotions reflected in Gusti, and Gusti’s wife and older son show how family members can support one another. Despite the simple language, Gusti’s message of acceptance seems particularly, earnestly, addressed to parents. “Kids with Down syndrome are an endangered species,” his penultimate line declares, the words fraught with both his son’s preciousness and Down syndrome’s correlation with abortion. Closing images of two adults with Down syndrome kissing act as a powerful affirmation. Adults should be prepared for some children to ask, “Why?” Occasionally, the original Spanish text appears alongside its English translation, and Mallko’s marker drawings appear throughout. Gusti and his family present as white.
Kids will enjoy meeting Mallko, but Gusti’s funny, affectionate portraits of father and son may resonate most with parents and parents-to-be. (Graphic memoir. 9 & up)Pub Date: Nov. 6, 2018
ISBN: 978-1-59270-259-6
Page Count: 120
Publisher: Enchanted Lion Books
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Humble, endearing and utterly easy to relate to; don’t miss this one.
The charismatic creator of the Eisner-nominated Amelia Rules! series recounts his beginnings as a cartoonist.
From the very first panel, Gownley’s graphic memoir is refreshingly different. He’s not the archetypal nerd, and he doesn’t retreat to draw due to feelings of loneliness or isolation. Gownley seems to be a smart kid and a talented athlete, and he has a loyal group of friends and a girlfriend. After he falls ill, first with chicken pox and then pneumonia, he falls behind in school and loses his head-of-the-class standing—a condition he is determined to reverse. A long-standing love of comics leads him to write his own, though his first attempt is shot down by his best friend, who suggests he should instead write a comic about their group. He does, and it’s an instant sensation. Gownley’s story is wonderful; his small-town life is so vividly evinced, it’s difficult to not get lost in it. While readers will certainly pick up on the nostalgia, it should be refreshing—if not completely alien—for younger readers to see teens interacting without texting, instead using phones with cords. Eagle-eyed readers will also be able to see the beginnings of his well-loved books about Amelia. He includes an author’s note that shouldn’t be overlooked—just be sure to keep the tissues handy.
Humble, endearing and utterly easy to relate to; don’t miss this one. (author’s note) (Graphic memoir. 10 & up)Pub Date: Feb. 25, 2014
ISBN: 978-0-545-45346-2
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: Nov. 12, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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A retro yet timeless story of family and identity.
Martín brings his successful Mexikid Stories online comic series to print.
Living in California’s Central Coast as a first-generation Mexican American, Pedro (or the “American-style” Peter) struggles to find his place. As an American kid growing up in the 1970s, he loves Star Wars and Happy Days but dislikes the way his five oldest siblings, who were born in Mexico, make him feel less Mexican just because he and the three other younger siblings were born after his parents immigrated to the U.S. to work picking strawberries. A family trip to Jalisco to bring their abuelito back to California to live with them presents Pedro with an opportunity to get in touch with his roots and learn more about the places his family calls home. Told from Pedro’s perspective, the panels read as a stream-of-consciousness travelogue as he regales readers with his adventures from the road. Along the way, Pedro has fresh encounters with Mexican culture and experiences some unexpected side quests. Full of humor, heart, and a decent amount of gross-out moments, Martín’s coming-of-age memoir hits all the right notes. Though the family’s travels took place decades ago, the struggles with establishing identity, especially as a child of immigrants whose identity straddles two cultures, feel as current as ever. The vibrant, action-packed panels offer plentiful details for readers to pore over, from scenes of crowded family chaos to the sights of Mexico.
A retro yet timeless story of family and identity. (family photos, author’s note) (Graphic memoir. 9-14)Pub Date: Aug. 1, 2023
ISBN: 9780593462287
Page Count: 320
Publisher: Dial Books
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
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