An exhilarating ride full of sheer drops and whiplash curves.
The author of Experiment Station Road (2011) returns with a YA novel about resistance fighters standing against a military government in what’s left of a future America.
An asteroid called “Jurbay” hit the United States in 2063, plunging the western half of the nation into the Pacific Ocean. Only 28 states survived, and they’re currently run by a vicious military called The Third; this organization has outlawed the eating of food (in lieu of nutrient pills); stolen people’s memories of home and family with “locasa” technology; and uses genetically engineered beings (or “GEBs”) to infiltrate and manipulate the masses. In 2083, 22-year-old Avery DeTornada and her friends—McGinty, Pasha, and Shaw—are members of The 28 United, a secret cabal determined to overthrow The Third. When Avery learns that someone close to her has been replaced by a GEB, she misbehaves at the factory where they work so that she can access its inner chambers. During her punishment, she encounters another key member of The 28 United and orchestrates an escape. Once on the run, Avery and company meet feral library children, trash-dump dwellers, and tree minstrels—all of whom see her as their leader in the fight against oppression. The military is wily, however, and The 28 United must conduct a nationwide roll call to see whether they stand a chance. Mansfield begins her new trilogy by dropping readers into a future that’s as propulsive as it is miserable. In marvelous, staccato prose, she describes Avery’s world as “Gray. The sky. The factory. The conveyor belt. The little pills that feed us, heal us, alter us—stabilize us.” The GEBs are reminiscent of the pod people in Invasion of the Body Snatchers but are used so cleverly here that they feel totally fresh. Although the novel is aimed at young adults, sophisticated jolts of turmoil charge the narrative, as when Avery loses “the time to let beauty perform its work on [her] spirit.” Overall, this masterful series opener is in better company with William Gibson’s Neuromancer than safer fare such as The Hunger Games.
An exhilarating ride full of sheer drops and whiplash curves.Pub Date: Feb. 26, 2015
ISBN: 978-1-5084-0018-9
Page Count: 370
Publisher: CreateSpace
Review Posted Online: Aug. 7, 2015
Kirkus Reviews Issue: Sept. 15, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
For those who like their science fiction dense, monumental, and a bit overwrought.
Brown is back with Book 4 of his Red Rising series (Morning Star, 2016, etc.) and explores familiar themes of rebellion, revenge, and political instability.
This novel examines the ramifications and pitfalls of trying to build a new world out of the ashes of the old. The events here take place 10 years after the conclusion of Morning Star, which ended on a seemingly positive note. Darrow, aka Reaper, and his lover, Virginia au Augustus, aka Mustang, had vanquished the Golds, the elite ruling class, so hope was held out that a new order would arise. But in the new book it becomes clear that the concept of political order is tenuous at best, for Darrow’s first thoughts are on the forces of violence and chaos he has unleashed: “famines and genocide...piracy...terrorism, radiation sickness and disease...and the one hundred million lives lost in my [nuclear] war.” Readers familiar with the previous trilogy—and you'll have to be if you want to understand the current novel—will welcome a familiar cast of characters, including Mustang, Sevro (Darrow’s friend and fellow warrior), and Lysander (grandson of the Sovereign). Readers will also find familiarity in Brown’s idiosyncratic naming system (Cassius au Bellona, Octavia au Lune) and even in his vocabulary for cursing (“Goryhell,” “Bloodydamn,” “Slag that”). Brown introduces a number of new characters, including 18-year-old Lyria, a survivor of the initial Rising who gives a fresh perspective on the violence of the new war—and violence is indeed never far away from the world Brown creates. (He includes one particularly gruesome gladiatorial combat between Cassius and a host of enemies.) Brown imparts an epic quality to the events in part by his use of names. It’s impossible to ignore the weighty connotations of characters when they sport names like Bellerephon, Diomedes, Dido, and Apollonius.
For those who like their science fiction dense, monumental, and a bit overwrought.Pub Date: Jan. 16, 2018
ISBN: 978-0-425-28591-6
Page Count: 624
Publisher: Random House
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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