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LITTLE CHAPEL ON THE RIVER

A PUB, A TOWN AND THE SEARCH FOR WHAT MATTERS MOST

Faithful attempt. Still, it could be that you had to be there.

Forced to relocate from downtown Manhattan after 9/11, a career woman discovers warmth, camaraderie and more in a small-town barroom.

Here’s one for you: there’s this tavern run by, of all things, an Irishman. But for Wall Street Journal columnist Bounds (“call me Wendy”), a displaced renter in Garrison, N.Y., after the Twin Towers fell too close to her apartment building, one of the most entrenched clichés in America’s alcohol culture becomes a place of refuge and reflection. As the author plumbs the boozy ambience of Guinan’s, hard by the Hudson River across from West Point, the aging diabetic owner Jim Guinan and his daughter Margaret, a somewhat hard-bitten detective on the local force who essentially runs the place in her off-hours, lead a cast of characters—their customers—who tend to become poets and philosophers instantly upon entry. The good and bad news here is that everyone who has frequented a similar venue to the extent that it becomes known as one’s watering-hole has met and enjoyed—or sometimes been appalled by—people like these. The lawyer, the salesman, the silent war hero, the guy down on his luck, the guy with the bad jokes: all are in residence as components in the slice-of-life Bounds offers with the implication that the reader should look beyond stereotypes, as does she. But it’s not until some 60 pages have gone by in this encounter between the willowy blonde in her early 30s and the predominantly older males who belly up at Guinan’s, that the reader is let in on the fact that she’s in a gay relationship. Later, when she realizes she must, in a lip-biting encounter, explain to Jim that “Kathryn is not my sister,” it provides one of the memoir’s few originally engaging scenes.

Faithful attempt. Still, it could be that you had to be there.

Pub Date: July 1, 2005

ISBN: 0-06-056406-7

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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