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BEAUTY AND THE BEAST

This lovely reimagining of an old tale affirms the browning of American’s contemporary young readership

A brown-skinned Beauty—what a refreshing change!

Cornrows, braids and beads, Afro puffs and twists. No, it’s not an African-American hair magazine; these are some of the hairstyles that Beauty and her sisters sport in Cummings and Lee’s ethnically rich retelling of an old, typically Caucasian favorite. The Beast’s family crest, an intricate figure on the title page that strongly resembles a West African Adinkra symbol, sets the stage for this picture book’s all-black cast of characters. Though Lee recounts the familiar French version in the text, beginning with the cover image, the illustrations affirm the beauty of this lithe girl of African descent and even of her mean-spirited sisters. Cummings’ illustrations convey so much detail that even the pre-transformation Beast seems beautiful…in his own way. Because of these culturally specific visual dynamics, the handsome visage of Beast-turned-prince comes as no surprise. Readers who attend to detail will delight in the Beast’s fierce animal topiaries and in a plethora of beastly faces found in unlikely places such as the backs of chairs, masks hanging on the walls and the cedar chest in Beauty’s room.

This lovely reimagining of an old tale affirms the browning of American’s contemporary young readership . (Picture book. 4-8)

Pub Date: Feb. 1, 2014

ISBN: 978-0-688-14819-5

Page Count: 32

Publisher: Amistad/HarperCollins

Review Posted Online: Nov. 19, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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HOME

Visually accomplished but marred by stereotypical cultural depictions.

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 17, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE TROUBLE WITH CHILDREN (ACCORDING TO DOG)

This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.

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In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.

“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.

This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.

Pub Date: July 16, 2024

ISBN: 9781736267370

Page Count: 40

Publisher: A Little Offbeat Publishing

Review Posted Online: April 26, 2024

Kirkus Reviews Issue: June 15, 2024

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