by Haim Sabato & translated by Yaacob Dweck ‧ RELEASE DATE: Oct. 1, 2006
A vivid narrative of faith, but, by its very nature, limited in scope and appeal.
Israeli novelist Sabato (Aleppo Tales, 2004, etc.) portrays a simple man living an uneventful life of piety.
Ezra Siman Tov’s twilight years are explicated in chapters that combine small stories, parables and religious text with tedious lists of the day’s routines, most of which are devoted to religious practice. Ezra works in a laundry, but his life is devoted to God. He spends every spare moment at the synagogue or in private prayer, reciting psalms or studying ethical teachings. Although he honors his wife and children, this is a story of a man and his maker, not a man and his family. Ezra is praised by the good people of Jerusalem for his kindness, and indeed the stories he is famous for are all tales of the joy he derives from worship. The city’s Great Writer is his friend and comes to depend on him for narrative inspiration. Ezra’s brother-in-law, Dr. Tawil, a pompous scholar of medieval verse, is eventually humbled by Ezra’s wisdom. Yeshiva student Moishe Dovid, who is in the habit of chastising the uneducated Ezra, begins to see the worth of his genuine, undecorated piety. The pleasure Ezra enjoys from living in the sheltering faith of God is acknowledged by all, but will change as the city begins to chip away at the things he loves. When the laundry must close to make way for a broader street and a shopping center, Ezra feels that at last he will have enough time to study the Torah in depth. Then his beloved rabbi and mentor dies. Services are discontinued at his synagogue; classes are canceled at another to make way for more contemporary ideas. An office building is raised next to his apartment, blocking the sunlight to his once-flowering veranda. The old way of life, Ezra’s Jerusalem of tireless devotion, is being brushed aside by a more secular modernity.
A vivid narrative of faith, but, by its very nature, limited in scope and appeal.Pub Date: Oct. 1, 2006
ISBN: 1-59264-140-7
Page Count: 200
Publisher: Toby Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
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by Haim Sabato & translated by Philip Simpson
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by Haim Sabato ; translated by Hillel Halkin
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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