A tantalizing introduction.
First of a trilogy about virtue compromised and beauty commodified, set in late-18th-century England.
As a child, Henrietta is brought into the London home of Lord and Lady Stavourley, to be raised along with their two sons and daughter, Catherine. Early on, Henrietta resigns herself to her position in the household—that of a poor cousin, who if she is lucky, will be Catherine’s companion after she is married. After Catherine’s coming-out, it is to lovely Henrietta that handsome Lord Allenham directs his attention. However, since Henrietta is penniless, and Lord Allenham’s cash-strapped family estate needs shoring up, he courts Catherine. Catherine's engagement is announced, but all along Allenham has been secretly corresponding with Henrietta, professing his love. When a scheming housemaid turns the letters over to Catherine, she scratches Henrietta’s face and vows revenge. However, days before the wedding, Catherine dies of a fever. As the Stavourley household mourns, Lord Stavourley reveals the truth: Henrietta is no cousin, but his illegitimate daughter. Since Henrietta is dowryless (a spiteful Lady Stavourley controls the purse strings), her only option is marriage to a clergyman of her father’s choosing. Desperate, Henrietta flees to Allenham’s country estate, where the two consummate their forbidden love. He sets her up in a comfortable cottage, but then, unknown circumstances (which may pertain to his political ambitions) compel him to leave. Fruitlessly searching for Allenham in London, Henrietta learns that her mother was Mrs. Kennedy, a famous courtesan who retired to live with a rich lover, St John. Arriving at St John’s residence, she finds she is too late—Mrs. Kennedy died years before. At first St John seems avuncular, but his lustful intentions are soon apparent. Henrietta succumbs since she can’t face making her living on the streets, particularly since she is newly pregnant with Allenham’s child. Historian Rubenhold has fashioned a page turner rife with choice tidbits about London’s demimonde, however readers, kept on tenterhooks by ever more precarious cliffhangers, may feel cheated by the ending.
A tantalizing introduction.Pub Date: Jan. 8, 2013
ISBN: 978-1-4555-1180-8
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: April 28, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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