THE UNADOPTABLES

Targeted in a wicked scheme, five resourceful kids flee their orphanage in 1892 Amsterdam.

Each longs to be adopted, but would-be parents reject them when they see the kids’ atypical attributes: Lotta’s 12 fingers, Egg’s East Asian ancestry (other characters default to white), Fenna’s muteness, clumsy Sem’s ears, and Milou’s wild ferocity. That is, until sinister Meneer Rotman sees their remarkable gifts—but Milou’s special sense warns her that Rotman’s evil. Indeed: They discover he intends to buy them as slave labor to crew his ship. Milou, who keeps a Book of Theories regarding why her birth family hasn’t claimed her, persuades them to escape to the puppet-making Poppenmaker family she’s sure she belongs to. Loyal if not convinced, the others join her. Lotta’s math and Egg’s cartographic acumen help them follow coordinates on Milou’s mysterious timepiece to the Poppenmakers’ windmill home and puppet theater, now abandoned. Thanks to Lotta’s technical ingenuity, Egg’s artistry, Fenna’s culinary prowess, and Sem’s needlework—assisted by clockmaker and dike warden Edda Finkelstein—it’s almost home. Then Milou forgets the other orphans have family longings, and the orphans discover Rotman has not forgotten them….While the vivid, Dickensian setting—grim orphanage, icy mists, and shadowy dockyards—and quaint clockwork creations and life-size puppets spin a web of Gothic creepiness, the bonds among this found family of lively orphans add plenty of warmth and light.

Unfolding with the clarity of a fairy tale, this sure-footed debut casts a delightfully spooky spell.