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THE STORY OF ZAHRA

Arab writer al-Shaykh (Women of Sand and Myrrh, 1992) details a cool, almost clinical journey to the heart of a young woman imprisoned within herself by family deceit—and liberated finally amidst the violence of war-torn Beirut. The story this time—reflecting the author's feminist sympathies, as well as her preoccupation with the contemporary Arab world—concerns Lebanese Zahra, who as a child had been used as cover for her mother's liaisons with another man. After a severe beating from her brutal father, who suspects Zahra's role in his wife's deceit, the formerly bright student retreats into herself, obsessively scratches her pimple-laden face, and embarks on a meaningless affair with a married man. She has two abortions and a nervous breakdown before her family sends her off to West Africa, where an uncle once active in Lebanese politics now lives in exile. The homesick uncle is delighted to see her, but Zahra, frightened by the intensity of his attentions, hides out in the bathroom (``the only thing I have loved in Africa'') and in desperation accepts the marriage proposal of a local Lebanese man. The marriage is a disaster: Zahra becomes even more withdrawn, then returns to a Beirut devastated by war. As the war intensifies, her parents move to their native village, and Zahra, struggling to survive, falls in love for the first time. But her lover is almost certainly the lone sniper—``the only god of death, the only threat in their locality''—who shoots innocent passersby from a nearby apartment roof. As the two make love, little is said, and for the first time Zahra wants a normal life. But it's too late, as she—left only with ``promise of menace''—becomes a victim of the city's mindless violence, personified by the sniper. A powerfully haunting portrait of innocence destroyed by violence both at home and in the larger world. More than just a novel about the contemporary Middle East.

Pub Date: Jan. 1, 1994

ISBN: 0-385-47130-0

Page Count: 192

Publisher: Anchor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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