by Hanif Abdurraqib ‧ RELEASE DATE: March 30, 2021
Another winner from Abdurraqib, a writer always worth paying attention to.
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A thoughtful memoir rolled into a set of joined essays on life, death, and the Black experience in America.
Black women, it’s been said, saved American democracy by delivering their votes to the Democratic Party in 2020. Poet, essayist, and music critic Abdurraqib is having none of it. “Black people—specifically Black women in this case, are not here in this country as vessels to drag it closer to some moral competence,” he writes. Later, he adds, “it occurred to me that Black women were simply attempting to save themselves.” The point is well taken. The chapters open with flowing stream-of-consciousness introductory passages—e.g., “I was the only one in the Islamic Center on Broad Street who got to stay up & watch the shows on MTV that came on after my parents cut out the lights & went up to bed & it was only me & the warmth of an old television’s glow & the DJs spinning C+C Music Factory for people in baggy & colorful getups”—and then settle in to tightly constructed, smart essays—in this case, about the history of marathon dancing, the exhilarating contributions but tragic life of Soul Train host Don Cornelius, the deaths of both his mother and Aretha Franklin, and numerous other subjects. In another essay, Abdurraqib considers the concept of the magical negro and the unenviable role of being the Black friend who provides an escape route for White racism. Here, comedian Dave Chappelle figures prominently, having become a huge draw for Comedy Central precisely because it gained a huge White audience: “Chappelle got to be everyone’s Black friend for a while,” writes the author. “The one that stays at a comfortable enough distance but still provides a service.” Social criticism, pop culture, and autobiography come together neatly in these pages, and every sentence is sharp, provocative, and self-aware.
Another winner from Abdurraqib, a writer always worth paying attention to.Pub Date: March 30, 2021
ISBN: 978-1-984801-19-7
Page Count: 320
Publisher: Random House
Review Posted Online: Dec. 21, 2020
Kirkus Reviews Issue: Jan. 15, 2021
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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