A treasure that reaches far beyond the traditional board-book audience.
This festive board book for toddlers, preschoolers, and early-elementary–age children introduces the practices of and meaning behind Ramadan, the Muslims’ month of fasting.
From the timing of the month around the crescent moon to the physical practice of fasting during daylight hours, this sturdy little book is packed with almost everything young children should know about Ramadan. Many nonfiction books about Ramadan explain the practices, but few give both facts and feelings as this book does, which is appropriate for both Muslims and non-Muslims. Eliot evokes the spirit of Ramadan, “a time to reflect on ourselves, to be thankful, and to help others.” The decorative illustrations show families diverse in skin color, hair texture, and attire as they celebrate, work, play, and pray in societies around the world. The vibrant primary colors pop against blue and orange backgrounds, and the floral patterns and the stylized representation of the natural world strengthen this volume. Only the reasons for fasting are a bit watered down for a general audience: “We fast because we know that there are many people who are less fortunate than us. We appreciate how lucky we are.” This is more a benefit of fasting than the religious reason, but it is easily understood. The book ends with the same bittersweet emotions felt at the end of Ramadan: “We will remember to love our family, pray, and give back to others all throughout the year.”
A treasure that reaches far beyond the traditional board-book audience. (Board book. 2-8)Pub Date: April 3, 2018
ISBN: 978-1-5344-0635-3
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: July 1, 2018
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
Pass.
The traditions and history of one of Mexico’s most important holidays are introduced in this latest of Eliot’s Celebrate the World series.
From setting up the flower-festooned altars to decorating the calaveras, the preparations depicted involve entire communities over several weeks. Characters in cowboy hats, sombreros, and baseball caps place the final touches on skeletons in full lucha libre regalia or spangled mariachi outfits. However, instead of accurately using Mexico’s name for the holiday, Día de Muertos, Eliot uses the English back-translation, “Día de los Muertos,” as is common in the U.S. even though the story evidently takes place in Mexico. Also, aside from stating that the celebration “is an ancient tradition,” there is no mention of its Indigenous, pre-European/Christian roots nor does the book actively distinguish between Día de Muertos and Halloween. The first-person narration vacillates between child and adult perspectives. “We do all this to celebrate the beauty of life and death rather than mourn it.” Gutierrez’s mixed-media illustrations are convulsive, crowded panes of frenetic activity. Exaggerated facial features border on stereotypical caricatures—snouts and bug eyes abound. Contributing to the crowded page design is the unfortunate choice of board rather than picture-book format. Consequently, the initial perception is that this series is geared toward toddlers, when it is the school-age child who would most benefit from the information in this book.
Pass. (Board book. 4-7)Pub Date: July 24, 2018
ISBN: 978-1-5344-1515-7
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 15, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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