by Hans Christian Andersen & translated by Anthea Bell & illustrated by Kveta Pacovoska ‧ RELEASE DATE: Sept. 1, 2005
The familiar tale is paired with startling modernist illustrations that strip the sentimentality so often associated with it in favor of a more purely intellectual response. The text, in the form of Bell’s graceful translation, appears on the left-hand page, with Pacovská’s stark collages filling up the page opposite—and frequently interposing one or more wordless double-page spreads in between pages of text. The result is not a conventional picture book, or even an illustrated story, but more of a narrative that dances back and forth between text and image, rarely allowing the reader to experience both at the same time. Many images rely on the visual similarity between a book of matches and a packet of crayons, their many-colored heads translating to spots or scribbles on the page. Foil is used sparingly and effectively, forming windows and cutlery as the Match Girl imagines herself inside and warm, and the night sky as a shooting star-cum-paintbrush streaks across the page. Young readers will find themselves challenged by these highly unconventional images, which will in turn help them to challenge their understanding of a highly conventional tale. (Picture book/fairy tale. 6+)
Pub Date: Sept. 1, 2005
ISBN: 0-698-40027-5
Page Count: 32
Publisher: Minedition/Penguin
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2005
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by Tiffany Jewell ; illustrated by Aurélia Durand ‧ RELEASE DATE: Jan. 7, 2020
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A guidebook for taking action against racism.
The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.
Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-7112-4521-1
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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by Tiffany Jewell ; illustrated by Nicole Miles
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by E.B. White illustrated by Garth Williams ‧ RELEASE DATE: Oct. 15, 1952
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
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