by Hans Christian Andersen & translated by Anthea Bell & illustrated by Kveta Pacovoska ‧ RELEASE DATE: Sept. 1, 2005
The familiar tale is paired with startling modernist illustrations that strip the sentimentality so often associated with it in favor of a more purely intellectual response. The text, in the form of Bell’s graceful translation, appears on the left-hand page, with Pacovská’s stark collages filling up the page opposite—and frequently interposing one or more wordless double-page spreads in between pages of text. The result is not a conventional picture book, or even an illustrated story, but more of a narrative that dances back and forth between text and image, rarely allowing the reader to experience both at the same time. Many images rely on the visual similarity between a book of matches and a packet of crayons, their many-colored heads translating to spots or scribbles on the page. Foil is used sparingly and effectively, forming windows and cutlery as the Match Girl imagines herself inside and warm, and the night sky as a shooting star-cum-paintbrush streaks across the page. Young readers will find themselves challenged by these highly unconventional images, which will in turn help them to challenge their understanding of a highly conventional tale. (Picture book/fairy tale. 6+)
Pub Date: Sept. 1, 2005
ISBN: 0-698-40027-5
Page Count: 32
Publisher: Minedition/Penguin
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2005
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by Hans Christian Andersen ; illustrated by Bernadette Watts ; translated by Susannah Mary Paull
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by Hans Christian Andersen ; adapted by JooHee Yoon ; illustrated by JooHee Yoon
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by Tiffany Jewell ; illustrated by Aurélia Durand ‧ RELEASE DATE: Jan. 7, 2020
Essential.
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A guidebook for taking action against racism.
The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.
Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-7112-4521-1
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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by Tiffany Jewell ; illustrated by Nicole Miles
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by Shelley Johannes ; illustrated by Shelley Johannes ‧ RELEASE DATE: Sept. 19, 2017
A kind child in a book for middle-grade readers? There’s no downside to that.
Beatrice Zinker is a kinder, gentler Judy Moody.
Beatrice doesn’t want to be fit in a box. Her first word was “WOW,” not “Mom.” She does her best thinking upside down and prefers to dress like a ninja. Like Judy Moody, she has patient parents and a somewhat annoying younger brother. (She also has a perfectly ordinary older sister.) Beatrice spends all summer planning a top-secret spy operation complete with secret codes and a secret language (pig Latin). But on the first day of third grade, her best friend, Lenny (short for Eleanor), shows up in a dress, with a new friend who wants to play veterinarian at recess. Beatrice, essentially a kind if somewhat quirky kid, struggles to see the upside of the situation and ends up with two friends instead of one. Line drawings on almost every spread add to the humor and make the book accessible to readers who might otherwise balk at its 160 pages. Thankfully, the rhymes in the text do not continue past the first chapter. Children will enjoy the frequent puns and Beatrice’s preference for climbing trees and hanging upside down. The story drifts dangerously close to pedantry when Beatrice asks for advice from a grandmotherly neighbor but is saved by likable characters and upside-down cake. Beatrice seems to be white; Lenny’s surname, Santos, suggests that she may be Latina; their school is a diverse one.
A kind child in a book for middle-grade readers? There’s no downside to that. (Fiction. 6-10)Pub Date: Sept. 19, 2017
ISBN: 978-1-4847-6738-2
Page Count: 160
Publisher: Disney-Hyperion
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Shelley Johannes ; illustrated by Shelley Johannes
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