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THE SNOW QUEEN

A deep subtext of love and loss, childhood and awakening, power and trust resonate through these pages at least as strongly...

One of the great illustrators of our time takes on one of the knottier Andersen fairy tales, producing a gorgeous and winning result.

MacDonald’s retelling hews closely to Andersen’s original in all its complexity but without its Christian allusions. It begins with a prologue: A wicked troll creates a mirror in which everything good looks hideous, and everything evil looks entrancing. The mirror breaks into millions of tiny pieces and pollutes the world. In winter, when Gerda’s grandmother tells the story of the Snow Queen to Gerda and her friend Kai, the window flies open, and Kai is pierced by a tiny shard of the troll mirror. He insults Gerda, dashes outside and is whisked away on his sled by the Snow Queen herself. Gerda does not believe he is dead and searches through many adventures and adversities to find and rescue him. Ibatoulline’s paintings are a wonder of form and color. On one spread, the icy queen wraps Kai completely in her blue and gray fur blanket; on the next, Gerda takes a boat on a sunlit river in a golden spring to find him. There are princesses and robbers, mysterious crows and talking reindeer. Ibatoulline renders the northern lights more exquisitely than any photograph.

A deep subtext of love and loss, childhood and awakening, power and trust resonate through these pages at least as strongly as the magnificent images. (Picture book/fairy tale. 7-12)

Pub Date: Oct. 1, 2013

ISBN: 978-0-06-220950-4

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 2, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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