Alderson (The Brothers Grimm, p. 299, etc.) translates 12 stories, some of which he previously published (e.g., in his edition of Andrew Lang's The Yellow Fairy Book, 1980, etc.). ``The Steadfast Tin Soldier'' and ``The Fir Tree'' are here, but so are stories about the lives of other inanimate objects: darning needle, collar, porcelain toys. Among Andersen's classics, these stories are relatively obscure, of interest only to adult laborers in the children's book field: They seem set up to house sarcastic social commentary (``The Collar''), and many just trail off instead of ending. ``The Money Pig'' ends as a piggy bank crashes to the floor, but the action in the story is almost incoherent to contemporary children. ``Grief,'' about a child who lacks the trouser-button entry fee to gain a glimpse of a pug dog's grave, trammels budding interest with this closing line: ``So that's the story, and if any of you don't understand it, then you can go and take some shares in the widow's tannery.'' A swan—a Father Gooselike figure—leads children from story to story, but doesn't make it any easier for them to drink. Riddell's charmingly appropriate full-color illustrations and black-and-white spot drawings, as well as the meticulous and graceful layout, make the book a welcome addition to any shelf- -but getting children to read it is an entirely different matter. (glossary) (Fiction/folklore. 7-11)
Pub Date: Aug. 1, 1997
ISBN: 1-56402-894-1
Page Count: 144
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1997
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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