Proof positive that not every ugly hatchling is a swan.
A stripped-down version of the classic tale that is all about its gimmick: An action is required on each screen in order to advance to the next.
Available in four European languages—English, Russian, German and French but not, curiously, Danish—the story is paired to pedestrian cartoons of animals floating slightly over generic country or farmyard scenes. The English translation is notably awkward (“The wind howled in his wings which were much more strongly than before”). A question or direction at the bottom of each screen requires readers to move or tap a visual element in order to advance. These are usually either arbitrary, like “Take the smallest egg to the basket” (the largest would have been more logical, considering the context), or no-brainers, such as “With what did the girl kick the duckling?” There are no other interactive features; no animations, audio narration, music—not even a page index. The story ends where it should but abruptly, with a “next” arrow leading to a link for purchasing other, presumably similarly repurposed tales in the series.
Proof positive that not every ugly hatchling is a swan. (iPad storybook app. 5-7)Pub Date: Sept. 20, 2012
ISBN: N/A
Page Count: -
Publisher: Stanislav Ustymenko
Review Posted Online: Oct. 23, 2012
Kirkus Reviews Issue: Nov. 15, 2012
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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