A queer love story that’s perfect for fans of slow-burn historical romance.
Two best friends resist their feelings for each other in Surrey, England, in 1807.
Cousins Eleanor and Charlotte are close to their dear friend, George. Although society expects proper young ladies to find a nice gentleman to marry as soon as they are of age, that fate feels unreasonable for these three. Eleanor, who has no plans to ever marry, intends to care for her ailing, widowed father. Black biracial Charlotte’s white father was disinherited; Ellie’s parents took their niece in, but her race and lack of a fortune are obstacles. And, although they were proclaimed to be a girl at birth, that label doesn’t fit the way George feels; rather than seeking a husband, they prefer to help run the estate and dress in masculine clothing. The trio’s trip to London unearths previously unacknowledged issues: George’s gender expression, the unspoken love between Eleanor and George, and Charlotte’s feelings of being unwelcome in high society, as well as her refusal to be “a curiosity or exotic accessory.” The resulting tension forces them to come to an understanding that will forever affect their relationships. Inspired by Jane Austen’s novels and their own research, Conner’s work features beautiful, detailed illustrations that bring Georgian-era England to life. These lovable, witty characters explore identity in nuanced ways and show what’s possible when you are true to yourself.
A queer love story that’s perfect for fans of slow-burn historical romance. (historical notes, resources, author’s note, sketches) (Graphic historical romance. 13-18)Pub Date: Nov. 19, 2024
ISBN: 9780358682387
Page Count: 288
Publisher: HarperAlley
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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