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MY PAPER CHASE

TRUE STORIES OF VANISHED TIMES

Despite the title, Evans’s memoir is more than relevant in the age of computer news; good reporting still demands what Evans...

One of the great editors of our era chronicles his life in news reporting and book publishing.

As editor of the London Sunday Times and The Times, and later as president and publisher of Random House, Evans (War Stories: Reporting in the Time of Conflict from the Crimea to Iraq, 2003, etc.) not only told the stories that changed the social and political world, he often was part of them. He began life as the son of working-class parents in 1930s Manchester, England. Early on he became aware of two things: the seemingly magical way in which newspapers would deliver a torrent of information, and the demarcations of success that were “ordained by the hierarchies of class.” Yet rise Evans did. The author is at his best recounting daily life in war-torn England and his early efforts to become a newspaper man. He lovingly describes the smells (“lead, antimony, and tin…hot metal marinated with printer’s ink” in the typesetting room) and noise (a cacophony of manual typewriters and animated phone calls) of his chosen profession. More important, Evans presents a narrative of stories and their consequences: the failure of the British health system to provide women with simple screening for cervical cancer; the official ignorance of the pollution that was literally choking the life out of Northern England; the willful failure to recognize and act on the struggles of children born without limbs after their mothers took Thalidomide. In these and many other cases, Evans exposed the “vast official carelessness” that permeated British political life. Of his life in America, which began in the ’80s, Evans says relatively little, outside of a few anecdotes of signing book contracts with such luminaries as Marlon Brando, Richard Nixon and a then-unknown politician, Barack Obama. A second volume, covering these years, would be most welcome.

Despite the title, Evans’s memoir is more than relevant in the age of computer news; good reporting still demands what Evans exemplifies here—honesty, courage and dogged determination.

Pub Date: Nov. 5, 2009

ISBN: 978-0-316-03142-4

Page Count: 592

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2009

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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