by Harold Holzer ‧ RELEASE DATE: March 5, 2019
This beautifully written, impeccably researched biography does much to resuscitate French’s substantial contributions to...
The first comprehensive biography of a great American sculptor.
Award-winning historian and Abraham Lincoln scholar Holzer (1865: America Makes War and Peace in Lincoln's Final Year, 2015, etc.) offers a much-needed biography of the little-known American sculptor Daniel Chester French (1850-1931). The author begins his superb book with a stirring account of the 1922 dedication of the Lincoln Memorial. At the front of the large crowd was President Warren G. Harding and Lincoln’s son, Robert, while off to the side, “unrecognized by most,” sat the “thin, aging,” New England sculptor of the iconic, 240-ton marble statue, which is “now regarded as the most famous sculpture ever created of or by an American.” Black dignitaries, meanwhile, were seated on benches a “block away.” French was largely self-taught, and his supportive father enlisted instruction for his teenage son from the “accomplished watercolor painter May Alcott.” Afterward, French joked, he decided to become a sculptor. His “talent was undeniable.” In lavish detail, Holzer chronicles the development of French’s career. His first major commission was Minute Man bronze monument (1875) in Concord, Massachusetts, for which he received “rhapsodic reviews” and generous royalties from popular reproductions. His impressive The Awakening of Endymion followed, and then a commission to sculpt Ralph Waldo Emerson, who exclaimed, “That is the face that I shave!” With his sculpture of the renowned deaf educator Thomas Gallaudet, Holzer writes, French reached a “new plateau of virtuosity.” His “hard-won status” was now secure, and two of his sculptures, including the colossal Republic, were exhibited at the 1893 World’s Fair in Chicago. In 1903, French was elected to the board of the Metropolitan Museum of Art and assisted them in acquiring crucial American works of sculpture. He accepted the Lincoln commission in 1915. Its dedication would be the “crowning moment” of “French’s long and extraordinary career.”
This beautifully written, impeccably researched biography does much to resuscitate French’s substantial contributions to American art.Pub Date: March 5, 2019
ISBN: 978-1-61689-753-6
Page Count: 368
Publisher: Princeton Architectural Press
Review Posted Online: Nov. 19, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jack Weatherford ‧ RELEASE DATE: March 2, 2004
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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