A Star Is Born meets All About Eve, Evans’ (Happily Ever After, 2012, etc.) latest deftly weaves together tales of old and...
A-list movie star Sophie Leigh has had enough of cheesy chick flicks, but her agent won’t hear of her turning down The Bachelorette Party, not with gorgeous Patrick Drew already signed on to co-star.
Like her idol, Eve Noel, a 1950s starlet, Sophie has little control over her career—not if she wants to make money for the box office, that is. Hollywood producers changed Eve’s name, her wardrobe and even her hairline to generate cinematic hits. Eventually, she’s even told to marry the much older, more powerful, but very dangerous actor Gilbert Travers. Yet, the industry can’t erase her memories of her sister Rose’s drowning or her own inconvenient love for Don Matthews, a powerless, alcoholic, yet loving screenwriter. After discovering their tryst, Gilbert arranges to have Don eliminated from her life. And one day, Eve disappears. Sixty years later, Sophie still has to change her name and endure not only arranged dating, but also a paparazzi-fueled public that turns a little sweat into Armpitgate. Inspired by Eve’s film A Girl Named Rose, Sophie’s determined to shepherd through the system her own independent film. Although it needs some work, My Second-Best Bed has the potential to be a real film. Troubles escalate when someone begins sending threatening notes and sneaking into Sophie’s home to leave white roses on her bed. Can she trust her co-star? Her director? Her new assistant? As Sophie tries to advance her project and solve the mystery of Eve’s disappearance while avoiding her stalker, her life becomes more and more entwined with Eve’s. Soon, it’s Eve who holds the keys to Sophie’s survival.
A Star Is Born meets All About Eve, Evans’ (Happily Ever After, 2012, etc.) latest deftly weaves together tales of old and new Hollywood, allowing star-crossed romance, mystery and danger to collide in surprising and often devastating ways.Pub Date: Feb. 11, 2014
ISBN: 978-1-4767-4603-6
Page Count: 400
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 21, 2013
Kirkus Reviews Issue: Jan. 1, 2014
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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