Eye-catching inspiration to encourage out-of-the-box thinking.
An intriguing title sparks a host of connections and associations.
Boxes are everywhere: on doorsteps, thanks to online shopping; in our cupboards and fridges, as foodstuffs. Boxes of all sizes hold clothes and toys. They house people in glass towers and animals in crates or sometimes shoe boxes. Money, fishing tackle, and even planes, bees, and brains can be said to be kept in boxes. Stringed instruments can be boxes that hold music; games of hopscotch and foursquare are played within chalk drawings made up of boxes. Ziefert’s book evokes Mary Ann Hoberman and Betty Fraser’s classic A House Is a House for Me. Halfway through, the text switches from assertions to interrogatives (the preferred sentence form for many Ziefert books). But this one never answers the title query. It never hints that a book can be so much more than words. Still, the author offers plenty of food for thought; young dreamers will have plenty to mull. Though sometimes strained, the rhymes mostly work, but random jumps in rhythm and meter will keep readers on their toes. The inventive book art combines photo elements with neon color and a lively black linework that changes in thickness for pleasing variety. A bright pink bear with an elongated snout and tiny toes appears in several illustrations; the few human figures are amusingly cartoonish and vary in skin tone.
Eye-catching inspiration to encourage out-of-the-box thinking. (Picture book. 5-8)Pub Date: Oct. 8, 2024
ISBN: 9781636551258
Page Count: 34
Publisher: Red Comet Press
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...
Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.
This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)Pub Date: Oct. 4, 2016
ISBN: 978-0-7636-6649-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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