“I need to paint and draw every day,” explains a round-headed kid with pencil-hatched hair in this sweet, carefully composed...
Boy and dog share the utter pleasure of creating art.
“I need to paint and draw every day,” explains a round-headed kid with pencil-hatched hair in this sweet, carefully composed paean to creativity. When he paints a gray building, Barroux’s composition mimics that shape in the foreground as a table spotlighting art supplies. Swaths of textured paint and pencil lines feature throughout. Companion Louie, a white dog with a long body, long muzzle and tiny legs, insists upon being depicted in his owner’s work. After the boy leaves for school, Louie explodes from art subject to artist. In two consecutive full-bleed spreads, Louie dashes back and forth, racing through paint and leaving footprints, squeezing paint tubes and holding brushes in his mouth. He’s so busy that he appears four times on each exuberant spread, covered in splotches, streaking paint everywhere. Returning home, the boy stands atop a beige staircase and peers towards a black wall, where the studio door is propped open by a (now multi-hued) dog. The mostly unseen him background inside the studio glows with color. Louie’s chef-d'œuvre evokes Cézanne (explained in an author’s note). Only a loose close-up of the Cézanne homage actually appears, but its freely casual vibe combines with the childlike skill level of the boy’s own paintings to prevent readers from feeling insecure in their own attempts. This is about enthusiastic process, not product.Pub Date: Sept. 1, 2011
ISBN: 978-1-60905-059-7
Page Count: 40
Publisher: Blue Apple
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A sweet, tender and charming experience to read aloud or together.
A clueless duckling tries to make a new friend.
He is confused by this peculiar-looking duck, who has a long tail, doesn’t waddle and likes to be alone. No matter how explicitly the creature denies he is a duck and announces that he is a cat, the duckling refuses to acknowledge the facts. When this creature expresses complete lack of interest in playing puddle stomp, the little ducking goes off and plays on his own. But the cat is not without remorse for rejecting an offered friendship. Of course it all ends happily, with the two new friends enjoying each other’s company. Bramsen employs brief sentences and the simplest of rhymes to tell this slight tale. The two heroes are meticulously drawn with endearing, expressive faces and body language, and their feathers and fur appear textured and touchable. Even the detailed tree bark and grass seem three-dimensional. There are single- and double-page spreads, panels surrounded by white space and circular and oval frames, all in a variety of eye-pleasing juxtapositions. While the initial appeal is solidly visual, young readers will get the gentle message that friendship is not something to take for granted but is to be embraced with open arms—or paws and webbed feet.
A sweet, tender and charming experience to read aloud or together. (Picture book. 3-6)Pub Date: Jan. 22, 2013
ISBN: 978-0-375-86990-7
Page Count: 40
Publisher: Random House
Review Posted Online: Nov. 13, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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