There are no safe places for the disintegrating self, not even the private journal; that is what the unnamed ``journalist'' discovers in this teasing, lightly involving novel from Mathews (Singular Pleasures, 1993, etc.). Middle-aged, middle-class, he lives in a college town in an unidentified country. He has an unglamorous office job, a loving wife (Daisy), an equally loving mistress (Colette), and a lovable if enigmatic son in high school (Gert). Daisy and his doctor, worried about his mental state, suggest he keep a journal, and he starts his new project with zest, seeing it as a ``a hold on reality,'' a way of reconciling his two selves—the one that experiences life with the one that observes it. Soon enough, however, this journal, which he had envisioned as an instrument of control, turns into a tyrant that controls him. He becomes obsessed with the right way of classifying experience, and the margins sprout headings and subheadings like weeds. Meanwhile, his relationships are suffering. Daisy turns secretive, and his best friend, Paul, is avoiding him. Could they be having an affair? Why is Gert suddenly so friendly with Colette: More mischief? And why is there never enough time for his lonely task of keeping his journal and getting it right? He cuts back on sleep (his love life is already a thing of the past) and uses the office for his writing, until his boss forces him to take indefinite leave. ``I've lost them,'' he acknowledges, referring to all the people in his life, just before his final dissolution and hospitalization, when a new narrative voice supplies rather too pat explanations for all the puzzles. Not as bleak as it sounds. Mathews chronicles his diarist's dilemma with humor and gentle irony; his slide into the abyss occasions more bemusement than terror.
Pub Date: Sept. 1, 1994
ISBN: 1-56792-007-1
Page Count: 252
Publisher: Godine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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