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WHAT I TALK ABOUT WHEN I TALK ABOUT RUNNING

A MEMOIR

Though the insights don’t resonate on the level of his novels, as always Murakami employs his artful, lucid prose to good...

The celebrated novelist contemplates one of his favorite pastimes.

Adapting his title from the fine Raymond Carver collection What We Talk About When We Talk About Love, Murakami (After Dark, 2007, etc.) pulls together various pieces he has written on the subject of running over the years. “I see this book as a kind of memoir,” he writes. “Not something as grand as a personal history, but calling it an essay collection is a bit forced.” It’s actually a slight but pleasant combination of all three forms, as the author recalls his near-obsession with running, an interest that has occupied him as much as writing during the past 25 years. Though he is often self-deprecating about his physique (“…the sad spreadsheet of my life that reveals how much my debts far outweigh my assets”), Murakami’s single-minded focus on the task at hand will impress runners and athletes of all levels. He maintains a methodical, disciplined training schedule, never taking two consecutive days off and never walking during a race. “I have only a few reasons to keep on running,” he notes, “and a truckload of them to quit. All I can do is keep those few reasons nicely polished.” His discipline also extends to his writing, which he approaches with the simple but devoted attention of a master craftsman. “I’m not the type who operates through pure theory or logic,” he notes, “not the type whose energy source is intellectual speculation.” By maintaining a steady work ethic—and exercise regimen—he hopes to avoid the “literary burnout” that afflicted many of his favorite writers, including F. Scott Fitzgerald, whose masterpiece, The Great Gatsby, Murakami reveres (“the kind of literature that nourishes you as you read”). Throughout this sleek volume, he draws many germane parallels between running and writing. He also recalls running in Central Park with John Irving in 1983, and remembers vividly the exact moment he decided to write his first novel, Hear the Wind Sing: at a baseball game in Japan at 1:30 p.m. on April 1, 1978.

Though the insights don’t resonate on the level of his novels, as always Murakami employs his artful, lucid prose to good effect.

Pub Date: Aug. 1, 2008

ISBN: 978-0-307-26919-5

Page Count: 192

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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