by Harvey Pekar & illustrated by Gary Dumm & edited by Paul Buhle ‧ RELEASE DATE: Jan. 15, 2008
Learned, passionate and accessible history of the first order, casting a critical but mostly benevolent eye on an...
The story of the legendary 1960s student-activist group, in words and pictures.
With the acceptance of graphic novels and nonfiction into the mainstream, Pekar (Macedonia, 2007, etc.) seems to have more work than ever—you can almost hear his curmudgeonly grumbling about deadlines—and he has branched out beyond the autobiographical writings showcased in issues of American Splendor. As witness this graphic history of Students for a Democratic Society (SDS): written mostly by Pekar, supplemented by several former SDS members; edited by Buhle, founding editor of the SDS journal Radical America, who also wrote several sections; with effective art by frequent Splendor collaborator Dumm. Although he’s never been shy about his angry leftist political leanings or about shoving himself into a narrative, Pekar keeps almost entirely in the background here as the book parses the minutiae of SDS’s creation, rise to prominence, post-Nixon splintering and, very briefly, its resurgence in 2006. Founded in 1960 as an offshoot of various lefty-labor organizations that traced their lineage back to Upton Sinclair in 1905, SDS quickly alienated more staid elements of the Old Left with its emphasis on personal freedom, solidarity with the civil-rights movement and vehement antiwar stance. Throughout the mid and late ’60s, SDS grew in numbers, leading demonstrations and publishing agitprop journals in cities and campuses across the nation, while it was simultaneously riven from within by agent provocateurs and fractious infighting among factions like the Weathermen and doctrinaire Marxists. Eschewing a standard time line, many of the book’s later pages offer journal-like contributions from rank-and-file members, who provide snapshots of the life-altering struggle they were engaged in—often with a self-deprecating nod to its more naïve aspects.
Learned, passionate and accessible history of the first order, casting a critical but mostly benevolent eye on an often-contradictory movement.Pub Date: Jan. 15, 2008
ISBN: 978-0-8090-9539-1
Page Count: 224
Publisher: Hill and Wang/Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2007
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adapted by Harvey Pekar and edited by Paul Buhle
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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