A welcome introduction to the work of a painter famed in his day but now largely forgotten.
A lucid life of the émigré Expressionist painter.
Born in 1900 in eastern Turkey, Gorky regaled American friends with tales of an idyllic childhood among mountains and rivers. That much was true, as far as it went, though that paradise would be shattered by the onset of the Turkish war of genocide against ethnic Armenians within the Ottoman Empire—and, though he claimed Russian descent and kinship with the writer Maxim Gorky, the man born Mooradian was Armenian through and through. Biographer and art historian Herrera (Matisse, 1993) spends a full hundred pages discussing the Armenian milieu that Gorky took pains not to remember before landing his subject, in 1920, in New York and thence Watertown, Massachusetts, where he lived in a neighborhood called Little Armenia and set about training himself as an artist. Gorky soon emerged as an apostle of European modernism, introducing his painting students to the works of his beloved Cézanne, Picasso, and Braque; and though his early work was clearly derivative, he soon developed a distinctive style that earned many admirers. As Herrera writes, Gorky was capable of bohemian excess, although he maintained higher standards of behavior than some of his comrades in art, especially the surrealists; as art patron Jeanne Reynal would recall, “He didn’t understand the surrealists’ fascination with sexual perversion.” Though a dedicated family man and, by the early ’40s, quite successful as an artist, Gorky suffered from his own demons, and the collapse of his marriage and calamities such as a studio fire that destroyed much of his archive helped lead him to suicide in 1948. Herrera’s biography is competent and well-written, and, while it presupposes familiarity with major trends in modernist art and demands patience for sometimes unhelpful analysis (“We are not outside looking at the scenery but rather in the midst of stems, petals, leaves, branches, and twigs”), it serves its readers well.
A welcome introduction to the work of a painter famed in his day but now largely forgotten.Pub Date: July 1, 2003
ISBN: 0-374-11323-8
Page Count: 688
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2003
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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