By concentrating on telling a colorful, absorbing story rather than proving a point, Herrera moves and transports us.
Memories of a chaotic, peripatetic, and often magical childhood in the 1940s and ’50s.
In the preface to this excellent memoir—Herrera’s first, after acclaimed biographies of Frida Kahlo, Henri Matisse, Maxim Gorky, and others—the author explains that she and her sister, in their 80s, have never been able to decide whether their mother was wonderful or terrible. “Our terrible mother gave [us] a wonderful life,” she writes. “And, she was not the only terrible mother.” Both of their parents, each married multiple times and only briefly to one another, were members of a class her mother called “upper bohemia.” Born into privilege from about 1908 to 1920, these free spirits dedicated themselves to artistic and intellectual pursuits as well as to their own pleasure. When it came to raising children, they were usually inconsistent and haphazard. Herrera’s parents “were stars within their own community. They were talented and intelligent, but their most important asset was their beauty.” For the remainder of the book, the author slips beneath the surface of her childhood, spent on Cape Cod and in Manhattan, Boston, and Mexico. She maintains the perspective she had on events at that time, vividly evoking the little girl at the center of this story: her curiosity, pain, constant concern about her weight, disappointment in her father, and idolization of her mother. In 1950, when the girls were with their father in Cape Cod, their mother appeared in a car she called the “Coche de Mama” and drove them straight down to Mexico. The author’s accounts of the drive and the years in Mexico are highly cinematic, and Herrera avoids the excessive commentary, analysis, blame, and self-pity common in this type of memoir, allowing readers directly into the experience. In a satisfying epilogue, the author fills in the rest of the story up to the present day. The black-and-white photos attest to the beauty of the settings and all the people in them.
By concentrating on telling a colorful, absorbing story rather than proving a point, Herrera moves and transports us.Pub Date: June 22, 2021
ISBN: 978-1-9821-0528-0
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
PROFILES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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