Determination and perseverance—both girl’s and squirrel’s—are celebrated.
An enterprising girl meets her match in an even more enterprising squirrel.
Pearl, illustrated with black hair and eyes and beige skin, has just built herself three birdhouses. “One looked like a house. / One looked like a tube. / One looked like a teacup”—because it is a teacup, and it’s the one Pearl is most proud of. While the house-shaped feeder and the tube feeder attract appropriate (and accurately illustrated) birds, the teacup, filled with peanuts, attracts a squirrel—who eats them all. Irritated, Pearl rigs up a taller contraption to foil the squirrel, but the squirrel defeats this easily. Finally, after building a Rube Goldberg–like obstacle course of things Pearl keeps in her “box of useful odds and ends”—which the squirrel navigates with ease—Pearl’s irritation turns to admiration. When she discovers that the squirrel is, in fact, a mama with three kits, the friendship is sealed. Barrett’s high-energy narrative is filled with action verbs that give it a pleasingly crisp forward movement while Andriani’s illustrations are just as pleasingly varied in their presentation and keep up perfectly with the text. (Of note is the sequence in which nine separate iterations of the squirrel navigate each element of the ninja course.) This can-do story is delivered with great good humor, and it has the added benefit of ending with empathy rather than outright victory. Backmatter delivers more factual information about squirrels.
Determination and perseverance—both girl’s and squirrel’s—are celebrated. (Picture book. 4-8)Pub Date: June 2, 2020
ISBN: 978-0-8234-4251-5
Page Count: 32
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: April 11, 2020
Kirkus Reviews Issue: May 1, 2020
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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