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THE STORY I TELL MYSELF

A VENTURE IN EXISTENTIALIST AUTOBIOGRAPHY

The translation of Sartre's Being and Nothingness into English in 1955 was the first and perhaps most notable achievement of Barnes's long and scholarly career, on which she reflects in this autobiography. In tracing her career, she provides critical insight into the evolution of her own embrace of existentialism, the acceptance of challenge as the fertile ground of individual choice, as well as ``the experience of women who chose to pursue careers in the period between Virginia Woolf and Betty Friedan.'' Barnes traces her early fundamentalist Christian background and the way in which it naturally led to her interest in philosophy and ethics. This existentialist autobiography expresses her life as the natural outcome of an ongoing involvement with a philosophy that spoke not only to contemporary issues (racism, existential feminism, the right to die) but also to her own need to decry cynicism, to designate ``a legitimate goal for ethics,'' to exalt in what Sartre saw as the right to difference as one of the ingredients of commonality. Barnes describes poignantly the important intellectual trends that have captivated academia over the last four decades. With acrobatic flexibility, she expounds on Sartre and de Beauvoir, on deconstruction, on teaching as a career, and on life in Boulder, Colo. Her views of today's students are insightful, and her humane reflections on relationships (gay and otherwise) and aging are soothing, considering how far into the storm of philosophical life she has gazed. Barnes challenged every aspect of the life expected of her. She never married and has had a single female companion for most of her adult life. She has lived intimately with the universal questions of our century without losing sight of the stuff of daily life. While often overly detailed and at times academic, her autobiography does provide an intimate record of our times and of the ongoing issues that challenge us to define ourselves over and over again.

Pub Date: Sept. 1, 1997

ISBN: 0-226-03732-0

Page Count: 352

Publisher: Univ. of Chicago

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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