For settings that would value the rhymes in separate packages, sturdy, serviceable efforts.
One of a quartet of board books of familiar nursery rhymes.
Cover images of a smiling, spotted cartoon cow jumping over a beaming moon stand out against a dark background. Liberal use of patterning, such as a subtle blue stripe in the night sky, gives the otherwise flat illustrations depth. A view of a cat sleeping in a window on the first, wordless page hints at what is to come, and sure enough it takes out its fiddle by the third double-page spread. Companion nighttime title Twinkle, Twinkle, Little Star uses a similar, appropriately dark palette. Also publishing simultaneously are The Itsy Bitsy Spider and Little Bo Peep, both lighter and brighter than the first two but with the same smiling animal faces and decorative patterns in collagelike pictures. Quintanilla avoids questions of race and gender by using animal characters throughout, making Bo Peep an Old English sheepdog instead of a shepherdess. All four texts are true to the original rhymes, without embellishments or added verses, making them a reasonable way to introduce toddlers to the traditional rhymes. However, the hefty sticker prices make them rather expensive additions to a toddler’s library, especially since many caregivers can probably recite them from memory. A more comprehensive book of nursery rhymes such as My Very First Mother Goose edited by Iona Opie and illustrated by Rosemary Wells (1996) would be a better investment.
For settings that would value the rhymes in separate packages, sturdy, serviceable efforts. (Board book. 6 mos.-2)Pub Date: Aug. 7, 2018
ISBN: 978-1-4867-1564-0
Page Count: 14
Publisher: Flowerpot Press
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Jan. 1, 2019
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
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