Hoʻonani deserves a place on any shelf.
In this picture book based on a true story, a nonbinary youth finds her place as a hula warrior.
Hoʻonani Kamai doesn’t identify with either wahine (girl) or kāne (boy); “she prefer[s] just Hoʻonani.” (Feminine pronouns refer to Hoʻonani throughout.) One day, her teacher Kumu Hina announces auditions for a traditional hula chant the high school kāne will perform. With Kumu Hina’s encouragement, Hoʻonani auditions despite the shock of the kāne. After passing the test, she practices “until Hawai‘i’s history [becomes] a part of her.” Practice pays off, as her chant’s strength and power gain her true acceptance as their leader. Kumu Hina warns that people may get upset that a wahine is leading, but Hoʻonani faces the performance with courage. Through every challenge and doubt, Hoʻonani “[holds] her place. Strong, sure, and steady.” Her strength and bravery lead her to find her place as a hula warrior. Based on the documentary A Place in the Middle, this story brings to light the Hawaiian tradition of valuing those who are māhū, or nonbinary. Teacher and activist Kumu Hina creates a place of safety and acceptance, encouraging her students to treat others with respect. Hoʻonani’s courage to be true to herself and her place in the middle is empowering. Hawaiian words are intermixed, and Song’s illustrations are full of emotion and determination.
Hoʻonani deserves a place on any shelf. (author’s note) (Picture book. 4-9)Pub Date: Oct. 1, 2019
ISBN: 978-0-7352-6449-6
Page Count: 40
Publisher: Tundra Books
Review Posted Online: June 9, 2019
Kirkus Reviews Issue: July 1, 2019
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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