This first-person tale gently illustrates change, both good and bad.
In the Newfoundland fishing village of Parsons Bay, Kitty has her refuges all staked out, for when she needs to hide from her father’s nearly incessant drunken belligerence.
Neighbor Ms. Bartlett and her Nan live nearby, and there is a cliff where she frequently meets her best friend, Anne-Marie, for solace. But it’s 1992, and the cod fishery is subject to a moratorium, leaving her father suddenly without work. Hoping to find work, the family moves to live with Uncle Iggy in St. John’s. The bigger city and foreign environment require that Kitty find new friends and new ways to cope. Her uncle, an elderly neighbor who favors forgiveness, and, above all, an attractive boy support Kitty and yet present her with challenges. Required to look past first glances and see the heart beneath in this new environment, Kitty in the process begins to look past her father’s drunken exterior as well. Learning and accepting a bit of the why her father is incapable of facing life sober helps. Admitting that she knows that he loves her even if he can’t seem to show it makes life endurable. Kitty’s initial belligerence and anger, so predominant early on, modulates to a more nuanced point of view; given her growth, it’s a shame the mother remains a nonentity.
This first-person tale gently illustrates change, both good and bad. (Historical fiction. 12-16)Pub Date: Sept. 1, 2013
ISBN: 978-1-4598-0274-2
Page Count: 288
Publisher: Orca
Review Posted Online: July 30, 2013
Kirkus Reviews Issue: Aug. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play.
Garber returns to the world of bestseller Caraval (2017), this time with the focus on younger, more daring sister Donatella.
Valenda, capital of the empire, is host to the second of Legend’s magical games in a single year, and while Scarlett doesn’t want to play again, blonde Tella is eager for a chance to prove herself. She is haunted by the memory of her death in the last game and by the cursed Deck of Destiny she used as a child which foretold her loveless future. Garber has changed many of the rules of her expanding world, which now appears to be infused with magic and evil Fates. Despite a weak plot and ultraviolet prose (“He tasted like exquisite nightmares and stolen dreams, like the wings of fallen angels, and bottles of fresh moonlight.”), this is a tour de force of imagination. Themes of love, betrayal, and the price of magic (and desire) swirl like Caraval’s enchantments, and Dante’s sensuous kisses will thrill readers as much as they do Tella. The convoluted machinations of the Prince of Hearts (one of the Fates), Legend, and even the empress serve as the impetus for Tella’s story and set up future volumes which promise to go bigger. With descriptions focusing primarily on clothing, characters’ ethnicities are often indeterminate.
Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play. (glossary) (Fantasy. 12-16)Pub Date: May 29, 2018
ISBN: 978-1-250-09531-2
Page Count: 464
Publisher: Flatiron Books
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
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