THE DISTANT DEAD

Lonely, broken people in a dead-end town are forced to confront the fragility of life and relationships in the aftermath of a horrific death.

A young boy, Sal Prentiss, discovers a burned corpse in the lonely hills of a small Nevada town, soon revealed to be that of Adam Merkel, the middle school math teacher, a new arrival who came—and died—carrying a lot of secrets. Though few mourn his passing, nearly everyone in town seems to be struggling with their own frustrations and losses, from Nora Wheaton, the history teacher who tends her ailing father, unable to confront him about his role in her brother’s death years ago, to Sal, who lost his mother to a drug overdose the year before. As each one makes choices that will direct the courses of their own lives and those of so many others, they also work to find out more about Adam’s death and what events had brought him to their town: the intersections of the lives that led to his death. Playing out against the barren landscape of a struggling town, all this drama is worthy of a Greek tragedy, and there is also something tragic in the scope and depth of the characters' hubris and personal struggles. Young clearly has a gift for crafting complex, flawed protagonists and creating both empathy and understanding for them, but it takes a true master to also build empathy for minor characters, who would be so easy to leave in two dimensions. When a middle school bully, in teasing a teacher, becomes the target of that teacher’s anger, the way Young reveals the root of the boy's cruelty, and vulnerability, suddenly reverses everything we thought we knew. And this small example, magnified, represents the brilliance of the novel: It is at heart about the timelessness of human curiosity, the eternal possibility of forgiveness, and the everyday miracle of survival.

Electrifying, ambitious, and crushingly beautiful.