by Heidi Heilig ‧ RELEASE DATE: Feb. 28, 2017
Concluding the duology, this ingeniously plotted time twister deepens the narrative, sharpens characterization, and raises...
Her white, widowed father, Slate, having failed to remake the past, has abdicated; mixed-race Nix Song now captains the Temptation, Navigating through time to mapped destinations, real and otherwise, in this sequel to The Girl from Everywhere (2016).
Joined by Blake, a young, white cartographer who supports the Hawaiian monarchy, they depart 1884 Hawaii for modern New York. Realizing Nix and Kashmir (the Persian boy they rescued years earlier) are in love, Slate tells Nix that her grandmother, Joss, a Chinese Navigator and seer, has seen Kash will be lost at sea—but that past and future can sometimes be changed. In New York, a strange woman gives Nix a map of Ys, a mythical island city off the coast of Brittany. With the map, dated 1637, is a letter inviting her to visit Ys that asserts the past can indeed be changed. Buoyed by hope, the seekers sail to Ys, their quest to protect Kash, restore Nix’s mother (who died in childbirth), and save the Hawaiian monarchy. This genre-busting series—neither fantasy-romance nor historical fiction in disguise—offers an original take on a classic conundrum: if we can change the past, delete death and loss from life and love, what will it cost—and who pays? Nix’s narrative voice reveals a complicated protagonist who moves between trenchant pragmatism and poetic flights with fluidity. Although some plotlines are resolved, others are left, tantalizingly and frustratingly, hanging.
Concluding the duology, this ingeniously plotted time twister deepens the narrative, sharpens characterization, and raises the stakes, leaving readers high and dry, wanting more . (Fantasy. 14-18)Pub Date: Feb. 28, 2017
ISBN: 978-0-06-238078-4
Page Count: 464
Publisher: Greenwillow Books
Review Posted Online: Nov. 15, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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by Stephanie Garber ‧ RELEASE DATE: Jan. 31, 2017
Immersive and engaging, despite some flaws, and destined to capture imaginations.
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New York Times Bestseller
Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.
Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.
Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-09525-1
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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