by Heino Falcke with Jörg Römer ; translated by Marshall Yarbrough ‧ RELEASE DATE: May 4, 2021
A compelling insider’s look at an ongoing investigative journey.
A renowned German astrophysicist digs into the awesome mystery of black holes.
Falcke—who captured the first photographic evidence of black holes, an incredible breakthrough—explains what we know about these captivating entities and discusses their historic, scientific, and spiritual significance. Black holes, voracious and enigmatic, have long held humanity’s attention, even before there was proof positive of their existence. “Gravity monster, cosmic feeding machine, hellish abyss: no superlative is big enough to describe a black hole,” writes Falcke, whose accessible prose and genuine wonder make for consistently enjoyable reading. “Black holes are the dinosaurs of astrophysics, as popular as the Tyrannosaurus rex, despite or even precisely because of their fearful reputation.” The unique physical properties of black holes have launched innumerable thought experiments and continue to push the boundaries of physics. Merging crisp science writing with personal memoir, the author surveys astronomy, past and present. “Galaxies tell us of the beginning of space and time, the Big Bang,” he writes. “Black holes represent the end of time.” Falcke, a self-described man of faith as well as an expert in modern physics, argues that black holes—and the ability to capture them on film—offer endless opportunities for introspection: “What comes together in the image, then, is the entire history of physics and astronomy’s development, plus emotion, mythical excess, intelligent silence, the act of gazing up at the stars, the measurement of the Earth and of space, the understanding of space and time, the most advanced technology, global collaboration, human tension, the fear of being lost, and the hope for something fully new.” This vital insight reflects a recurring theme: what it means to be human in the pursuit of mind-bending scientific knowledge.
A compelling insider’s look at an ongoing investigative journey.Pub Date: May 4, 2021
ISBN: 978-0-06-302005-4
Page Count: 368
Publisher: HarperOne
Review Posted Online: March 23, 2021
Kirkus Reviews Issue: April 15, 2021
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by Matthew McConaughey ‧ RELEASE DATE: Oct. 20, 2020
A conversational, pleasurable look into McConaughey’s life and thought.
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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.
“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.
A conversational, pleasurable look into McConaughey’s life and thought.Pub Date: Oct. 20, 2020
ISBN: 978-0-593-13913-4
Page Count: 304
Publisher: Crown
Review Posted Online: Oct. 27, 2020
Kirkus Reviews Issue: Dec. 1, 2020
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by Matthew McConaughey illustrated by Renée Kurilla
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by Walter Isaacson ‧ RELEASE DATE: Sept. 12, 2023
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
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A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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by Walter Isaacson with adapted by Sarah Durand
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