A welcome addition to the growing strong-women-in-history shelf.
From stolen bride to pirate queen: a young woman’s rise to become the most powerful pirate in history.
When pirate Zheng Yi and his crew raid the port city of Canton, they plunder both goods and women. Zheng Yi picks one girl to be his bride. Boldly, Zheng Yi Sao (meaning “Zheng Yi’s wife”) shoots him a stipulation: She will marry him only “if he [gives her] an equal share in his enterprise.” Six years later, Zheng Yi is dead, and his widow now commands 70,000 men and over 1,800 ships. Zheng Yi Sao realizes that a queen can’t “win at cards” alone. She must “strengthen [her] hand by drawing from [her] decks,” winning the loyalty of Zheng’s lieutenants by sharing power. Before long, South China’s seas come under her control, and even the emperor’s ships are no match for Zheng Yi Sao’s Red Flag Fleet. Eventually, Zheng Yi Sao grows tired of life at sea. With the same defiance and boldness that she employed so long ago, she demands her freedom from the governor-general of Canton. There is little primary documentation about Zheng Yi Sao’s life, as Becker states in a concluding note, but working with what’s known she has woven together a poetic first-person story that’s both believable and readable. Wong’s stylized pencil illustrations highlight intricate details that epitomize turn-of-the-19th-century China, a restrained palette providing color.
A welcome addition to the growing strong-women-in-history shelf. (sources, further references, note on names) (Picture book. 6-9)Pub Date: March 3, 2020
ISBN: 978-1-77306-124-5
Page Count: 36
Publisher: Groundwood
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Rappaport makes this long struggle palpable and relevant, while Faulkner adds a winning mix of gravitas and high spirits.
Rappaport examines the salient successes and raw setbacks along the 144-year-long road between the nation’s birth and women’s suffrage.
This lively yet forthright narrative pivots on a reality that should startle modern kids: women’s right to vote was only achieved in 1920, 72 years after Elizabeth Cady Stanton organized the first Women’s Rights Convention in Seneca Falls, New York. Indeed, time’s passage figures as a textual motif, connecting across decades such determined women as Stanton, Sojourner Truth, Susan B. Anthony, and Lucy Stone. They spoke tirelessly, marched, organized, and got arrested. Rappaport includes events such as 1913’s Women’s Suffrage Parade in Washington, D.C., but doesn’t shy from divisive periods like the Civil War. Faulkner’s meticulously researched gouache-and-ink illustrations often infuse scenes with humor by playing with size and perspective. As Stanton and Lucretia Mott sail into London in 1840 for the World Anti-Slavery Conference, Faulkner depicts the two women as giants on the ship’s upper deck. On the opposite page, as they learn they’ll be barred as delegates, they’re painted in miniature, dwarfed yet unflappable beneath a gallery full of disapproving men. A final double-page spread mingles such modern stars as Shirley Chisholm and Sonia Sotomayor amid the historical leaders.
Rappaport makes this long struggle palpable and relevant, while Faulkner adds a winning mix of gravitas and high spirits. (biographical thumbnails, chronology, sources, websites, further reading, author’s note) (Picture book/biography. 6-8)Pub Date: Feb. 23, 2016
ISBN: 978-0-7868-5142-3
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: Nov. 2, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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