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MY DARLING BOY

This pitch-perfect story about families and secrets starts with a punch and ends with a bang.

Mothers and sons are mired in a quicksand of deception in this tale of psychological suspense set in rural England.

The title of Cooper's fourth novel appears to give a nod to happy families ensconced in idyllic relationships, but it quickly becomes apparent that it's just another of the book's intriguing misdirections. Cooper builds the scaffolding of this secret-packed novel on a harrowing event in which either "a push or a punch" during a scuffle in a pub leaves a young man dead and another sent to prison. Left to pick up the pieces following this tragedy are the men's mothers. Chrissy Dean and Alice Lowe, once the closest of friends, are now irrevocably estranged—yet always on each other's minds. Alice lost her son, Robbie, and she's leading a campaign to oust Chrissy from the insulated village of Cromley. What Robbie and Chrissy's son, Leo, fought over is one of the mysteries running through the book, and the answer becomes more urgent when Leo is paroled and immediately goes missing. Into this already compelling storyline, Cooper drops other plot-driving grenades: Who is Georgie Fallows, a village newcomer who immediately embeds herself in the Deans' and Lowes' lives? What secrets is Alice's brother, Peter, hiding, and what hold does an older inmate have over Leo during his time in prison? As the race to find Leo pushes forward, the snowballing secrets strangling the two families begin to unravel. In a vertigo-inducing denouement of Hitchcockian proportions, "a push or a punch" seems to come full circle. Cooper, with her keen understanding of family dynamics, pushes her characters and her readers to wonder how far they would go to protect themselves and their children.

This pitch-perfect story about families and secrets starts with a punch and ends with a bang.

Pub Date: Dec. 3, 2024

ISBN: 9780593719930

Page Count: 352

Publisher: Putnam

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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NOW OR NEVER

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

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Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.

The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Pub Date: Nov. 5, 2024

ISBN: 9781668003138

Page Count: 320

Publisher: Atria

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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